ABSTRACT
The introduction of dance movement psychotherapy (DMP) to a mainstream secondary school in the United Kingdom was explored from the perspectives of some educators (n = 5) and pupil-clients (n = 3) to discover perceptions of, and influences on the process of establishing a DMP practice to support pupils within this setting. Semi-structured interviews were analysed using constructivist grounded theory by an ethnographically situated therapist-researcher. Two polarities of themes emerged: constraints, normative inhibitions and expectations, versus empowerment, novel perceptions and awareness. These polarities were evident at two levels of process: school structures and community mind-set and individual engagement with DMP. The results highlight inherent dynamics in positioning of therapeutic provision within a school environment, amplified in unconventional, creative and embodied forms of intervention. An awareness of the tension between these opposites may be useful for dance movement psychotherapists in setting themselves within mainstream education.
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No potential conflict of interest was reported by the authors.
Additional information
Notes on contributors
Ailsa Shaw Parsons
Ailsa Shaw Parsons is a Chartered Psychologist, Dance Movement Psychotherapist and Lecturer at the University of Salford. Dr Linda Dubrow-Marshall is a Clinical and Counselling Psychologist, BACP Accredited Counsellor/Psychotherapist, and Lecturer at the University of Salford.