Introduction

Click to increase image sizeClick to decrease image size

Disclosure statement

No potential conflict of interest was reported by the author(s).

Notes on contributors

Catherine Fowler is an Associate Professor in Film at Otago University, New Zealand. She is editor of The European Cinema Reader (Routledge, 2002), co-editor with Gillian Helfield of Representing the Rural: Space Place and Identity in Films about the Land (Wayne State University Press, 2006) and author of Sally Potter (2009). Her articles on artists’ moving images have been published in Miraj, Cinema Journal and Screen.

Sean Redmond is Professor of Screen and Design at Deakin University, Melbourne, Australia. He has been a media and screen educator for over 25 years, including being Chief Examiner of the NEAB A Level Media Studies syllabus (1999–2001) in the UK, which championed the â critical and creative autonomyâ of students. He is the author of 15 books, is a curator and installation artist, and guest edited (with Tessa Dwyer and Claire Perkins) an edition of the video essay journal, (In) Transition, on the Poetics of Eye Tracking: http://mediacommons.org/intransition/theme-week/2017/36/poetics-eye-tracking Seanâs video essay work, The Ear That Dreams: Eye Tracking Sound in the Moving Image, can be found here: http://mediacommons.org/intransition/2017/09/07/ear-dreams-eye-tracking-sound-moving-image.