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Ethnos
Journal of Anthropology
Volume 63, 1998 - Issue 1
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Original Articles

Uncertain regard: An exhibition of aboriginal art in France

Fred R. Myers New York University, USA
Pages 7-47 | Published online: 20 Jul 2010

Citations (22)

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Read on this site (2)

NoraA. Taylor. (1999) ‘Pho’ Phai and faux phais: The market for fakes and the appropriation of a Vietnamese national symbol. Ethnos 64:2, pages 232-248.
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KennethM. George. (1999) Signature work: Bandung, 1994. Ethnos 64:2, pages 212-231.
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Articles from other publishers (20)

Luke Taylor. (2022) JOHN MAWURNDJUL'S ART IN PARIS. Museum Anthropology 45:2, pages 164-179.
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Stephen K. H. Peters. (2016) Loaded Speech: Between Voices in Indigenous Public Speaking Events. Journal of Linguistic Anthropology 26:3, pages 315-334.
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Danielle Hedegard. (2015) Transnational connections: The meaning of global culture in the tastes of Brazilian elites. Poetics 53, pages 52-64.
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Christopher Berk. (2015) This Exhibition is about now: Tasmanian Aboriginality at the Tasmanian Museum and Art Gallery. Museum Anthropology 38:2, pages 149-162.
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Luke Taylor. (2008) ‘They may say tourist, may say truly painting’: aesthetic evaluation and meaning of bark paintings in western Arnhem Land, northern Australia 1 . Journal of the Royal Anthropological Institute 14:4, pages 865-885.
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Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 311 340 .
Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 279 310 .
Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 271 277 .
Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 263 270 .
Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 230 262 .
Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 195 229 .
Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 158 191 .
Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 130 157 .
Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 95 129 .
Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 58 91 .
Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 29 57 .
Deborah A. Thomas. 2004. Modern Blackness. Modern Blackness 1 26 .
Ute Eickelkamp. (2010) Mapitjakuna —Shall I Go Away From Myself Towards You? Being‐with and Looking‐at Across Cultural Divides . The Australian Journal of Anthropology 14:3, pages 315-335.
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Maureen Mahon. (2000) The Visible Evidence of Cultural Producers. Annual Review of Anthropology 29:1, pages 467-492.
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Elizabeth A. Povinelli. (2000) Consuming Geist : Popontology and the Spirit of Capital in Indigenous Australia . Public Culture 12:2, pages 501-528.
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