Uncertain regard: An exhibition of aboriginal art in France

References

• Anderson , Christopher and Dussart , Françoise . 1988 . “ Dreaming in Acrylic: Western Desert Art ” . In Dreamings: The Art of Aboriginal Australia , Edited by: Sutton , P. 89 – 142 . New York : George Braziller/Asia Society Galleries .
   Google Scholar
• Appadurai , Arjun and Breckinridge , Carole . 1988 . Why Public Culture? . Public Culture , 1 (1) : 5 – 9 .
   Google Scholar
• Bardon , Geoffrey . 1979 . Aboriginal Art of the Western Desert , Sydney : Rigby .
   Google Scholar
• _____ . 1991 . Papunya Tula: Art of the Western Desert , Melbourne : McPhee Gribble, Penguin .
   Google Scholar
• Jean‐Pierre , Barou . 1990 . “ La plus vieille peinture au Monde ” . In L'Été Australien à Montpellier , Edited by: Crossman , Sylvie and Barou , Jean‐Pierre . 14 – 23 . Montpellier : Musée Fabre Galerie Saint Ravy .
   Google Scholar
• Bhabha , Homi . 1986 . “ The Other Question: Difference, Discrimination and the Discourse of Colonialism ” . In Literature, Politics and Theory , Edited by: Barker , Francis . New York : Methuen .
   Google Scholar
• Boulay , Roger . 1993 . “ Preface: L'art des aborigènes d'Australie au Musée des Arts d'Afrique et d'Océanie ” . In La peinture des aborigènes d'Australie , Edited by: Dussart , F. 7 – 8 . Marseille : Éditions Parenthèses .
   Google Scholar
• Bourdieu , Pierre . 1984 . Distinction: A Social Critique of the Judgment of Taste , Cambridge : Harvard University Press .
   Google Scholar
• _____ . 1993 . The Field of Cultural Production , Stanford : Stanford University Press .
   Google Scholar
• Breton , André . 1962 . “ Main Première ” . In Un art à l'état brut , Edited by: Kupka , Karel . Lausanne : La Guilde du Livre .
   Google Scholar
• Buchloh , B. J. 1989 . The Whole Earth Show: An Interview with Jean‐Hubert Martin . Art in America , May : 150 – 59 . 211 213
   Web of Science ®Google Scholar
• Chatwin , Bruce . 1987 . The Songlines , New York : Viking .
   Google Scholar
• Clifford , James . 1985 . Histories of the Tribal and the Modern . Art in America , April : 164 – 177 .
   Web of Science ®Google Scholar
• _____ . 1988 . The Predicament of Culture: Twentieth‐century Ethnography, Literature, and Art , Cambridge, MA : Harvard University Press .
   Google Scholar
• Coombes , Annie E. 1994 . Reinventing Africa , New Haven : Yale University Press .
   Google Scholar
• Crossman , Sylvie and Barou , Jean‐Pierre , eds. 1990 . L'Été Australien à Montpellier , Montpellier : Musée Fabre Galerie Saint Ravy .
   Google Scholar
• Crossman , Sylvie . 1990 . “ De Tiepolo à Maxie Tjampitjinpa (1971–1972 et 1980): Entretien avec James Mollison ” . In L'Été Australien à Montpellier , Edited by: Crossman , Sylvie and Barou , Jean‐Pierre . 31 – 32 . Montpellier : Musée Fabre Galerie Saint Ravy .
   Google Scholar
• Dagen , Philippe . 1989 . L'exposition universelle . Le Monde , 19 mai : 28
   Google Scholar
• Dagen , Philippe and Breerette , Genevieve . 1989 . Les moissons d'une exploration . Le Monde , 18 mai : iii arts section,
   Google Scholar
• Davila , Juan . 1987 . Aboriginality: A Lugubrious Game? . Art and Text , 23/4 : 53 – 58 .
   Google Scholar
• Derrida , J. 1977 . Of Grammatology , Edited by: Spivak , G. Baltimore : Johns Hopkins University Press .
   Google Scholar
• Durkheim , Emile . 1915 . The Elementary Forms of the Religious Life , Edited by: Swain , J. New York : Free Press .
   Google Scholar
• Dussart , Françoise . 1988 . “ Women's Acrylic Paintings from Yuendumu ” . In The Inspired Dream: Life as Art in Aboriginal Australia , Edited by: West , Margaret . Brisbane : Queensland Art Gallery .
   Google Scholar
• _____ . 1993 . La peinture des aborigènes d'Australie , Marseille : Éditions Parenthèses .
   Google Scholar
• _____ . 1994 . “ A Body Painting in Translation ” . In Rethinking Visual Anthropology , Edited by: Banks , Marcus and Morphy , Howard . 186 – 202 . New Haven : Yale University Press .
   Google Scholar
• Eccles , Jeremy . 1983 . From the Fringes to Dreamtime in Paris . The Australian , 12 Oct.
   Google Scholar
• Errington , Shelly . 1994 . What Became Authentic Primitive Art? . Cultural Anthropology , 9 (2) : 201 – 226 .
   Web of Science ®Google Scholar
• Fabian , Johannes . 1983 . Time and the Other , New York : Columbia University Press .
   Google Scholar
• Foster , Hall . 1985 . “ The Primitive Unconscious of Modern Art, or White Skin, Black Masks ” . In Recoding Art, Spectacle, Cultural Politics , Port Townsend, Wash. : Bay Press .
   Google Scholar
• Fry , T. and Willis , A. 1989 . Aboriginal Art: Symptom or Success? . Art in America , July : 109 – 117 . 159 – 60 . 163
   Google Scholar
• Glowczewski , Barbara . 1991 . Yapa: Peintres Aborigènes de Balgo et Lajamanu , Paris : Baudoin Lebon Éditeur .
   Google Scholar
• Graburn , Nelson . 1976 . Ethnic and Tourist Arts , Berkeley : University of California Press .
   Google Scholar
• Greenberg , Clement . 1965 . Modernist Painting . Art and Literature , 4 Spring : 193 – 201 .
   Google Scholar
• Hamilton , Annette . 1990 . Fear and Desire: Aborigines, Asians and the National Imaginary . Australian Cultural History , July
   Google Scholar
• Haraway , Donna . 1984 . Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908–1936 . Social Text , : 11
   Google Scholar
• Kimber , R. G. 1977 . Mosaics You Can Move . Hemisphere , 21 (1) : 2 – 7 . 29 – 30 .
   Google Scholar
• Kupka , Karel . 1962 . Un art à l'état brut , Lausanne : La Guilde du Livre .
   Google Scholar
• Lévi‐Strauss , Claude . 1962 . La pensée sauvage , Paris : Plon .
   Google Scholar
• Magiciens de la Terre . 1989 . Magiciens de la Terre: Première exposition mondiale d'art contemporain ‐ Petit Journal , Paris : Éditions du Centre Pompidou .
   Google Scholar
• Manning , Patrick . 1985 . Primitive Art and Modern Times . Radical History Review , 33 : 65 – 18 .
   Google Scholar
• Marcus , George and Myers , Fred . 1995 . “ Introduction: The Traffic in Culture ” . In The Traffic in Culture , Edited by: Marcus and Myers . Berkeley : University of California Press .
   Google Scholar
• Martin , Jean‐Hubert . 1990 . “ La mondialisation des cultures: Entretien avec Jean‐Hubert Martin ” . In L'Été Australien à Montpellier , Edited by: Crossman , Sylvie and Barou , Jean‐Pierre . 98 Montpellier : Musée Fabre Galerie Saint Ravy .
   Google Scholar
• McEvilley , Thomas . 1984 . Doctor, Lawyer, Indian Chief . Art Forum , 23 (3) : 54 – 60 .
   Google Scholar
• Megaw , V. 1982 . Western Desert Acrylic Painting: Artefact or Art? . Art History , 5 : 205 – 18 .
   Web of Science ®Google Scholar
• Merleau‐Ponty , Claire and Tardy , Anne . 1989 . Australie Noire: Les aborigènes, un peuple d'intellectuel . Autrement , 37 March
   Google Scholar
• Michaels , Eric . 1988 . Bad Aboriginal Art . Art and Text , 28 : 59 – 73 .
   Google Scholar
• Miller , Daniel . 1991 . “ The Necessity of the Primitive in Modern Art ” . In The Myth of Prim‐itivism: Perspectives on Art , Edited by: Hiller , S. 50 – 71 . London/New York : Routledge .
   Google Scholar
• Miller , Toby . 1995 . Exporting Truth from Aboriginal Australia: ‘Portions of Our Past Become Present Again Where Only the Melancholy Light of Origin Shines’ . Media Information Australia , May : 7 – 17 .
   Google Scholar
• Morphy , Howard . 1983 . “ ‘Now You Understand’: An Analysis of the Way Yolngu Used Sacred Knowledge to Retain Their Autonomy ” . In Aborigines, Land, and Land Rights , Edited by: Peterson , N. and Langton , M. 110 – 133 . Canberra : Aboriginal Studies Press .
   Google Scholar
• Myers , Fred R. 1986 . Pintupi Country, Pintupi Self: Sentiment, Place, and Politics among Western Desert Aborigines , Washington, D.C. and Canberra : Smithsonian Institution Press and Aboriginal Studies Press .
   Google Scholar
• _____ . 1988 . Locating Ethnographic Practice: Romance, Reality and Politics in the Outback . American Ethnologist , 15 : 609 – 24 .
   Web of Science ®Google Scholar
• _____ . 1989 . Truth, Beauty and Pintupi Painting . Visual Anthropology , 2 : 163 – 95 .
   Google Scholar
• _____ . 1991 . Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Painting . Cultural Anthropology , 6 : 26 – 62 .
   Google Scholar
• _____ . 1994 . Culture‐Making: The Performance of Aboriginality at the Asia Society Galleries . American Ethnologist , 21 : 679 – 699 .
   Web of Science ®Google Scholar
• _____. (n.d.). The Wizards of Oz? ‐ The Social Location of Aesthetics and Western Desert Acrylic Painting.
   Google Scholar
• Owens , Craig . 1983 . “ The Discourse of Others: Feminists and Postmodernism ” . In The Anti‐Aesthetic , Edited by: Foster , H. 57 – 82 . Port Townsend, Wash. : Bay Press .
   Google Scholar
• Picard , Denis . 1989 . Liberté, Egalité, Magie . Connaissance des arts , 449–50 Juillet‐Août : 57 – 65 .
   Google Scholar
• Pompignoli , Ludovico . 1993 . Chefs‐d'Oeuvre…en Péril? S'ils devaient en sauver une . V S D , June 3
   Google Scholar
• Price , Sally . 1989 . Primitive Art in Civilized Places , Chicago : University of Chicago Press .
   Google Scholar
• Rhodes , Colin . 1995 . Primitivism and Modern Art , New York : Thames and Hudson .
   Google Scholar
• Root , Deborah . 1996 . Cannibal Culture , Boulder : Westview Press .
   Google Scholar
• Rubin , William . 1984 . “ Modernist Primitivism: An Introduction ” . In ’Primitivism’ in 20th Century Art: Affinity of the Tribal and the Modern , Edited by: Rubin , W. 1 – 84 . New York : Museum of Modern Art .
   Google Scholar
• Said , Edward . 1978 . Orientalism , New York : Pantheon .
   Google Scholar
• Schjeldahl , Peter . 1988 . Patronizing Primitives . 7 Days , Nov. 16
   Google Scholar
• Silver , Harry . 1979 . Ethnoart . Annual Review of Anthropology , 8 : 267 – 307 .
   Web of Science ®Google Scholar
• Smith , Roberta . 1988 . From Alien to Familiar . The New York Times , Dec. 16
   Google Scholar
• Souef , Michèle . 1993 . “ Avant‐propos ‐ Karel Kupka ” . In La peinture des aborigènes d'Aus‐tralie , Edited by: Dussart , Françoise . 9 – 16 . Marseille : Éditions Parenthèses .
   Google Scholar
• Spencer , B. and Gillen , F.J. 1899 . The Native Tribes of Central Australia , London : MacMillan .
   Google Scholar
• Sutton , Peter . 1988a . Dreamings: The Art of Aboriginal Australia , New York : George Braziller/Asia Society Galleries .
   Google Scholar
• _____ . 1988b . “ The Morphology of Feeling ” . In Dreamings , Edited by: Sutton , P. 59 – 88 . New York : George Braziller/Asia Society Galleries .
   Google Scholar
• Sydney Morning Herald (SMH) . 1983 . Artists, Dancers and Songmen Take an Ancient Performance to Paris's Modern Art Museum . Sydney Morning Herald , 1 October : 31
   Google Scholar
• Thomas , Nicholas . 1991 . Entangled Objects: Exchange, Material Culture and Colonialism in the Pacific , Cambridge : Harvard University Press .
   Google Scholar
• _____ . 1994 . Colonialism's Culture: Anthropology, Travel, and Government , Princeton : Princeton University Press .
   Google Scholar
• Torgovnick , Marianna . 1990 . Gone Primitive: Savage Intellects, Modern Lives , Chicago : University of Chicago Press .
   Google Scholar
• Trinh , T. Minh‐Ha . 1989 . Woman, Native, Other , Bloomington : Indiana University Press .
   Google Scholar
• Turner , Victor . 1974 . Dramas, Fields and Metaphors , Ithaca : Cornell University Press .
   Google Scholar
• von Sturmer , John . 1989 . Aborigines, Representation, Necrophilia . Art and Text , 32 : 127 – 39 .
   Google Scholar
• Wallach , Amei . March 1989 . “ Beautiful Dreamings ” . March , Ms.,
   Google Scholar
• Ward , Peter . 1984 . Aboriginal Art: A Crucial Perspective . The Australian , 18 Sept.
   Google Scholar
• Warlukurlangu Artists . 1987 . Yuendumu Doors: Kuruwarri , Canberra : Aboriginal Studies Press .
   Google Scholar
• Witherspoon , Gary . 1976 . Language and Art in the Navajo Universe , Ann Arbor : University of Michigan Press .
   Google Scholar
• Wright , Brett . 1984 . Aboriginal Art Moves Up Into the Culture Market . Sydney Morning Herald , 26 January
   Google Scholar