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Articles

Competition, Selection and Rock and Roll: The Economics of Payola and Authenticity

Pages 701-714 | Published online: 04 Jan 2016

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Juan D. Montoro‐Pons, María Caballer‐Tarazona & Manuel Cuadrado‐García. (2021) From pirates to subscribers: 20 years of music consumption research. International Journal of Consumer Studies 45:4, pages 690-718.
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Michele Piazzai & Nachoem M. Wijnberg. (2019) Product proliferation, complexity, and deterrence to imitation in differentiated‐product oligopolies. Strategic Management Journal 40:6, pages 945-958.
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Noah Askin & Joeri Mol. 2018. Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics. Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics 159 202 .
Mirva Peltoniemi. (2015) Cultural Industries: Product-Market Characteristics, Management Challenges and Industry Dynamics. International Journal of Management Reviews 17:1, pages 41-68.
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Frederik B.I. Situmeang, Mark A.A.M. Leenders & Nachoem M. Wijnberg. (2014) History matters: The impact of reviews and sales of earlier versions of a product on consumer and expert reviews of new editions. European Management Journal 32:1, pages 73-83.
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Brinja Meiseberg. (2012) Trust the artist versus trust the tale: performance implications of talent and self-marketing in folk music. Journal of Cultural Economics 38:1, pages 9-42.
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Ronnie J. PhillipsRonnie J. Phillips. 2013. Rock and Roll Fantasy?. Rock and Roll Fantasy? 69 76 .
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Pawan V. Bhansing, Mark A.A.M. Leenders & Nachoem M. Wijnberg. (2012) Performance effects of cognitive heterogeneity in dual leadership structures in the arts: The role of selection system orientations. European Management Journal 30:6, pages 523-534.
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Joris J. Ebbers & Nachoem M. Wijnberg. (2012) Nascent ventures competing for start-up capital: Matching reputations and investors. Journal of Business Venturing 27:3, pages 372-384.
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Charles Fairchild. (2012) Alan Freed still casts a long shadow: the persistence of payola and the ambiguous value of music. Media, Culture & Society 34:3, pages 328-342.
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Nachoem M. Wijnberg. (2011) Classification systems and selection systems: The risks of radical innovation and category spanning. Scandinavian Journal of Management 27:3, pages 297-306.
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Juha T. Mattsson, Mirva Peltoniemi & Petri M.T. Parvinen. (2010) Genre‐deviating artist entry: the role of authenticity and fuzziness. Management Decision 48:9, pages 1355-1364.
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Gabriel Rossman, Ming Ming Chiu & Joeri M. Mol. (2008) 5. Modeling Diffusion of Multiple Innovations via Multilevel Diffusion Curves: Payola in Pop Music Radio. Sociological Methodology 38:1, pages 201-230.
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