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Studies in Conservation Volume 63, 2018 - Issue 6
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Original Research or Treatment Papers

Microscopic Analysis of Wall Painting Techniques: Laboratory Replicas and Romanesque Case Studies in Southern Switzerland

Lucia RegazzoniDept. Environment Construction and Design, University of Applied Sciences and Arts of Southern Switzerland, Canobbio, Switzerland
,
Giovanni CavalloDept. Environment Construction and Design, Institute of Materials and Constructions, University of Applied Sciences and Arts of Southern Switzerland, Canobbio, SwitzerlandCorrespondence[email protected]
,
Danilo BiondelliInstitute for the Conservation and Valorization of Cultural Heritage ICVBC-CNR, Milan, ItalyORCID Iconhttp://orcid.org/0000-0002-0854-0154
ORCID Icon &
Jacopo GilardiDept. Environment Construction and Design, University of Applied Sciences and Arts of Southern Switzerland, Canobbio, Switzerland
Pages 326-341 | Received 11 May 2017, Accepted 26 Dec 2017, Published online: 10 Jan 2018

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Anna Lazzarini, Giovanni Cavallo & Patrick Cassitti. (2023) Microstratigraphic Research of Altered Medieval Painted Plaster Fragments from the St John Monastery in Müstair (Grison Canton, Switzerland). Studies in Conservation 68:4, pages 407-417.
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Articles from other publishers (20)

Anabelle Kriznar, Katja Kavkler & Sabina Dolenec. (2024) Why Are the Early Gothic Murals in St. Jacob’s Church in Ormož, Slovenia, Almost Entirely Black?. Spectroscopy Journal 2:2, pages 37-52.
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Georgi Avdeev, Rositsa Kukeva, Denitsa Yancheva, Valentin Mihailov, Vani Tankova, Momtchil Dimitrov, Georgi Nekhrizov, Radostina Stoyanova & Bistra Stamboliyska. (2024) Multi-Analytical Analysis of Decorative Color Plasters from the Thracian Tomb near Alexandrovo, Bulgaria. Minerals 14:4, pages 374.
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Jana Nádvorníková, Václav Pitthard, Ondřej Kurka, Lukáš Kučera & Petr Barták. (2024) Egg vs. Oil in the Cookbook of Plasters: Differentiation of Lipid Binders in Wall Paintings Using Gas Chromatography–Mass Spectrometry and Principal Component Analysis. Molecules 29:7, pages 1520.
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Laura Bergamonti, Marianna Potenza, Federica Scigliuzzo, Sandro Meli, Antonella Casoli, Pier Paolo Lottici & Claudia Graiff. (2024) Hydrophobic and Photocatalytic Treatment for the Conservation of Painted Lecce stone in Outdoor Conditions: A New Cleaning Approach. Applied Sciences 14:3, pages 1261.
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Adriana Elena Vâlcea, Izabela Mariș, Aurelian Denis Negrea, Nicanor Cimpoeșu, Gheorghe Gârbea, Dorin Grecu, Sorin Georgian Moga, Bogdan Istrate, Flavio Nicolae Finta, Alin Daniel Rizea, Daniel-Constantin Anghel, Corneliu Munteanu, Mircea Ionuț Petrescu & Mărioara Abrudeanu. (2023) Interdisciplinary Research on Medieval Fresco Subjected to Degradation Processes in the Corbii de Piatră Cave Church. Materials 16:15, pages 5257.
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Anabelle Kriznar. (2023) Material and Technical Analysis as a Support for Art-Historical Characterization of Selected Mural Paintings in Austria around 1400. Colorants 2:3, pages 471-486.
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Francesca A. Pisu, Daniele Chiriu, Evgenia Klironomou, Giannis Zacharakis & George J. Tserevelakis. (2023) Stratigraphy of Fresco Paintings: A New Approach with Photoacoustic and SORS Imaging. Journal of Imaging 9:1, pages 16.
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Wenqing Wei & Lei Gao. (2022) Intelligent Computer Technology-Driven Mural Pattern Recognition Method. Advances in Multimedia 2022, pages 1-7.
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Roberto Sáez-Hernández, Kevin U. Antela, Gianni Gallello, M. Luisa Cervera & Adela R. Mauri-Aucejo. (2022) A smartphone-based innovative approach to discriminate red pigments in roman frescoes mock-ups. Journal of Cultural Heritage 58, pages 156-166.
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Paz Arjonilla, Ana Domínguez-Vidal, Ramón Rubio Domene, Elena Correa Gómez, María José de la Torre-López & María José Ayora-Cañada. (2022) Characterization of Wall Paintings of the Harem Court in the Alhambra Monumental Ensemble: Advantages and Limitations of In Situ Analysis. Molecules 27:5, pages 1490.
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Susanna Bracci, Emma Cantisani, Claudia Conti, Donata Magrini, Silvia Vettori, Paolo Tomassini & Martina Marano. (2022) Enriching the knowledge of Ostia Antica painted fragments: a multi-methodological approach. Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy 265, pages 120260.
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Milene Gil, Mafalda Costa, Ana Cardoso, Sara Valadas, Yigit Helvaci, Sriradha Bhattacharya, Patricia Moita & Antonio Candeias. (2021) On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments. Heritage 4:4, pages 4578-4595.
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Giovanni Cavallo & Maria Pia Riccardi. (2021) Glass-based pigments in painting: smalt blue and lead–tin yellow type II. Archaeological and Anthropological Sciences 13:11.
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Anabelle Kriznar & Jana Želinská. (2021) Materials and Techniques of Selected Mural Paintings on the “Gothic Road” around 1400 (Slovakia). Heritage 4:4, pages 4105-4125.
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Patrizia Moretti, Stefan Zumbühl, Ottaviano Caruso, Nicola Gammaldi, Paola Iazurlo & Francesca Piqué. (2021) The Characterization of the Materials Used by Gino Severini in his 20th C Wall Paintings at Semsales in Switzerland. Applied Sciences 11:19, pages 9161.
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Laura Rampazzi, Cristina Corti, Ludovico Geminiani & Sandro Recchia. (2021) Unexpected Findings in 16th Century Wall Paintings: Identification of Aragonite and Unusual Pigments. Heritage 4:3, pages 2431-2448.
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G. Fioretti, S. Raneri, D. Pinto, M. Mignozzi & D. Mauro. (2020) The archaeological site of St. Maria Veterana (Triggiano, Southern Italy): Archaeometric study of the wall paintings for the historical reconstruction. Journal of Archaeological Science: Reports 29, pages 102080.
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Georgios P. Mastrotheodoros, Dimitrios F. Anagnostopoulos, Eleni Filippaki, Konstantinos G. Beltsios & Yannis Bassiakos. (2019) Probing the birthplace of the “Epirus/NW Greece School” of painting: analytical investigation of the Filanthropinon monastery murals. Part II: non-pigment materials and painting technique. Archaeological and Anthropological Sciences 11:10, pages 5781-5798.
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