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Ethnic and Racial Studies Volume 42, 2019 - Issue 14: Special Issue: Racial nationalisms: borders, refugees and the cultural politics of belonging
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Articles

“I feel English as fuck”: translocality and the performance of alternative identities through rap

Richard BramwellSchool of Social Sciences, Loughborough University, Loughborough, UKCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0002-3411-5223View further author information
ORCID Icon &
James ButterworthSchool of Social Sciences, Loughborough University, Loughborough, UKView further author information
Pages 2510-2527 | Received 26 Apr 2018, Accepted 13 May 2019, Published online: 15 Jul 2019

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Warren A. Stanislaus. (2023) From Cool Japan to Cold Japan: grime cyborgs in Black Britain. Japan Forum 35:3, pages 271-294.
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Articles from other publishers (10)

Tianzhu Liang. (2024) Impact of college English education thoughts on enhancing national cultural identity. Trans/Form/Ação 47:4.
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Erica Åberg & Hanna Tyvelä. (2023) Finnish and Swedish ‘gangsta rap’ as a window on the dismantlement of the Nordic welfare state. Crime, Media, Culture: An International Journal.
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Ignacio M. Palacios Martínez. (2023) A syntactic and pragmatic study of nominal vocatives in the Twitter exchanges of rappers’ fans. Journal of Pragmatics 207, pages 93-110.
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Aurélien Boucher & Ren Yan. (2023) Et si on changeait la musique? Déterminants sociaux des préférences pour le hip‐hop, le rap et les musiques urbaines en Grande Bretagne. Canadian Review of Sociology/Revue canadienne de sociologie 60:1, pages 69-87.
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Joe Smith-Sands. (2022) ‘Trapped in the trap’: Exploring Music Therapists’ clinical engagement with the current discourse around UK Drill. British Journal of Music Therapy 36:2, pages 94-103.
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Orlando Woods. (2021) From roadman to royalties: Inter-representational value and the hypercapitalist impulses of grime. Crime, Media, Culture: An International Journal 18:3, pages 412-429.
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Zhi Lin & Yupei Zhao. (2022) Localization and mainstream emergence of hip-hop music in China: a critical transculturalism perspective. Media, Culture & Society 44:3, pages 407-427.
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Emilia Di MartinoEmilia Di Martino. 2022. Indexing ‘Chav’ on Social Media. Indexing ‘Chav’ on Social Media 237 286 .
Alex de Lacey. (2020) ‘Wot do u call it? Doof doof’: Articulations of glocality in Australian grime music. Global Hip Hop Studies 1:1, pages 115-141.
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Kamila Rymajdo. 2020. Blackpool in Film and Popular Music. Blackpool in Film and Popular Music 135 152 .

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