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Critical Arts
South-North Cultural and Media Studies
Volume 30, 2016 - Issue 1
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RESEARCH ARTICLES

Endorsing upper-class refinement or critiquing extravagance and debt? The rise of neoliberal genre modification in contemporary South Korean cinema

Keith B. WagnerView further author information
Pages 117-138 | Published online: 03 May 2016

Citations (7)

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Read on this site (4)

Keyan Tomaselli & Yao Xiao. (2023) Cultural Studies in Interhemispherical Perspective. China, Africa, Asia and Australasia. Critical Arts 37:4, pages 1-24.
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Jaecheol Kim. (2019) Biocalyptic imaginations in Japanese and Korean films: undead nation-states in I Am a Hero and Train to Busan. Inter-Asia Cultural Studies 20:3, pages 437-451.
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Young-A Park, Do-hoon Lee & Keith B. Wagner. (2017) Changing Representations of the Urban Poor in Korean Independent Cinema: Minjung Heroes, Atomized Paupers, and New Possibilities. Quarterly Review of Film and Video 34:4, pages 361-378.
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Jeongmee Kim, Michael A. Unger & Keith B. Wagner. (2017) The Significance of Beyond Hallyu Film and Television Content in South Korea's Mediasphere. Quarterly Review of Film and Video 34:4, pages 315-320.
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Articles from other publishers (3)

Jaecheol Kim. (2022) Korean Financial Thrillers: Neo-liberal Governmentality in Default and Black Money . Canadian Journal of Film Studies 31:1, pages 1-22.
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Song Xu Bai. (2022) False Redemption—The Narrative Pattern of Korean Art Cinema. Frontiers in Communication 7.
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Keith B. Wagner & Meng Liang. 2021. Transmedia in Asia and the Pacific. Transmedia in Asia and the Pacific 129 156 .

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