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Original Articles

Eminem's Construction of Authenticity

Pages 335-355 | Published online: 17 May 2010

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (16)

Danijela Čanji & Aliaksei Kazharski. (2023) When the “subaltern empire” speaks. On recognition, Eurasian integration, and the Russo-Georgian war. Eurasian Geography and Economics 64:5, pages 561-588.
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Alexandra Boutros. (2021) “Sounds like Haiti”: Haiti as Muse in Canadian Popular Music. Popular Music and Society 44:5, pages 504-522.
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Jonathan Sullivan & Yupei Zhao. (2021) Rappers as Knights-Errant: Classic Allusions in the Mainstreaming of Chinese Rap. Popular Music and Society 44:3, pages 274-291.
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Penni Pietilä, Liisa Tainio, Sirpa Lappalainen & Elina Lahelma. (2021) Swearing as a method of antipedagogy in workshops of rap lyrics for ‘failing boys’ in vocational education. Gender and Education 33:4, pages 420-434.
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Hong-Jung Kim & Yunjoo Sung. (2020) Rappers as hip-hopers: the remaking of authenticity and construction of the future by Korean underground rappers. Journal of Youth Studies 23:10, pages 1366-1380.
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Mariona Surribas Balduque. (2020) La ficción como amparo legal del arte: titiriteros, raperos y libertad de expresión en la España pos 15-M. Journal of Spanish Cultural Studies 21:3, pages 411-428.
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Chandler Harriss. (2019) Whistlin’ Past Graveyards: The Drive-By Truckers and Southern Identity. Popular Music and Society 42:4, pages 419-437.
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Timothy R. Lauger & James A. Densley. (2018) Broadcasting Badness: Violence, Identity, and Performance in the Online Gang Rap Scene. Justice Quarterly 35:5, pages 816-841.
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David Crider. (2014) For Those (Men) About to Rock: Rock Radio and the Crisis of Masculinity. Journal of Radio & Audio Media 21:2, pages 258-271.
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Mervi Tervo. (2014) From Appropriation to Translation: Localizing Rap Music to Finland. Popular Music and Society 37:2, pages 169-186.
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Lauren Miller Griffith. (2013) Apprenticeship pilgrims and the acquisition of legitimacy. Journal of Sport & Tourism 18:1, pages 1-15.
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Imar de Vries & Isabella van Elferen. (2010) The Musical Madeleine: Communication, Performance, and Identity in Musical Ringtones. Popular Music and Society 33:1, pages 61-74.
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Todd Fraley. (2009) I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness. Howard Journal of Communications 20:1, pages 37-54.
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Joeri M. Mol & Nachoem M. Wijnberg. (2007) Competition, Selection and Rock and Roll: The Economics of Payola and Authenticity. Journal of Economic Issues 41:3, pages 701-714.
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Sheng Kuan Chung. (2007) Media/Visual Literacy Art Education: Sexism in Hip-Hop Music Videos. Art Education 60:3, pages 33-38.
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Mickey Hess. (2005) Hip-hop Realness and the White Performer. Critical Studies in Media Communication 22:5, pages 372-389.
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Articles from other publishers (41)

Elena Fernández de Molina Ortés. (2023) Phonetic phenomena in New Flamenco. The linguistic stylisation of flamenco over time: a corpus study. Phonetica 80:6, pages 393-432.
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Patric Plesa. (2023) Authenticization: Consuming commodified authenticity to become “authentic” subjects. Theory & Psychology 33:4, pages 555-576.
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Yehan Wang. (2023) Keeping It Real in Chinese Hip-Hop: Everyday Authenticity and Coming From the Street. Sociological Research Online.
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Elena Fernández de Molina Ortés. (2023) An Example of Linguistic Stylization in Spanish Musical Genres: Flamenco and Latin Music in Rosalía’s Discography. Languages 8:2, pages 128.
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Damariyé L. Smith. (2023) Hussle and Motivate: An Afrocentric Understanding of Constitutive Rhetoric Toward Economic Empowerment in Nipsey Hussle’s Victory Lap Album . Journal of Black Studies 54:4, pages 312-333.
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Abhishek Deshmane & Victor Martínez-de-Albéniz. (2023) Come Together, Right Now? An Empirical Study of Collaborations in the Music Industry. Management Science.
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Elina Westinen, Sanna Karkulehto & Mervi Tervo. (2023) Localized hip hop authenticity in early 2000s Finland: Retaining representations of race, class and gender in Beauty and the Bastard. Journal of Scandinavian Cinema 13:1, pages 27-45.
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Glenn FosbraeyGlenn Fosbraey. 2022. Reading Eminem. Reading Eminem 121 176 .
Ellen Hurst-Harosh & Eyo Offiong Mensah. 2021. Youth Language Practices and Urban Language Contact in Africa. Youth Language Practices and Urban Language Contact in Africa 182 200 .
Robert A. Roks. 2021. Crime and Music. Crime and Music 271 285 .
Alexandra Boutros. (2020) The impossibility of being Drake: Or, what it means to be a successful (Black) Canadian rapper. Global Hip Hop Studies 1:1, pages 95-114.
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Heidi Mau & Cheryl L. Nicholas. (2020) “Authenticity” in Popular Electronic Music. Journal of Popular Music Studies 32:1, pages 106-122.
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Valentin Werner. (2019) Assessing hip-hop discourse: Linguistic realness and styling. Text & Talk 39:5, pages 671-698.
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Xiaoxiao Fu. (2019) Existential authenticity and destination loyalty: Evidence from heritage tourists. Journal of Destination Marketing & Management 12, pages 84-94.
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Ana Sobral. 2019. Imaging Identity. Imaging Identity 211 235 .
LAURON KEHRER. (2018) A Love Song for All of Us?: Macklemore's “Same Love” and the Myth of Black Homophobia. Journal of the Society for American Music 12:4, pages 425-448.
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Rosa Reitsamer & Rainer Prokop. (2017) Keepin’ it Real in Central Europe: The DIY Rap Music Careers of Male Hip Hop Artists in Austria. Cultural Sociology 12:2, pages 193-207.
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Pia Quist. 2018. The Sociolinguistics of Place and Belonging. The Sociolinguistics of Place and Belonging 239 260 .
Liming Wu, Martin Spieß & Marco Lehmann. (2017) The effect of authenticity in music on the subjective theories and aesthetical evaluation of listeners: A randomized experiment. Musicae Scientiae 21:4, pages 442-464.
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Marianne Rathje. 2017. Advances in Swearing Research. Advances in Swearing Research 17 42 .
Ben Green. (2017) Having the sceptre: Wu-Tang Clan and the aura of music in the age of digital reproduction. Popular Music 36:3, pages 427-440.
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Tom PerchardLoren Kajikawa. 2017. From Soul to Hip Hop. From Soul to Hip Hop 455 477 .
Marko Dumančić & Krešimir Krolo. (2016) Dehexing Postwar West Balkan Masculinities. Men and Masculinities 20:2, pages 154-180.
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. 2016. The Cambridge Companion to the Singer-Songwriter. The Cambridge Companion to the Singer-Songwriter.
Maeve EberhardtKara Freeman. (2015) ‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip-hop persona of Iggy Azalea. Journal of Sociolinguistics 19:3, pages 303-327.
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. 2015. The Cambridge Companion to Hip-Hop. The Cambridge Companion to Hip-Hop.
Żaneta Jamrozik. 2015. Relocating Popular Music. Relocating Popular Music 225 244 .
A. Jones, R. Bennett & S. Cross. 2015. The Digital Evolution of Live Music. The Digital Evolution of Live Music 123 138 .
Jenny Nguyen & Amanda Koontz Anthony. (2014) Black Authenticity: Defining the Ideals and Expectations in the Construction of “Real” Blackness. Sociology Compass 8:6, pages 770-779.
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Geoff Harkness. (2013) Gangs and gangsta rap in Chicago: A microscenes perspective. Poetics 41:2, pages 151-176.
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Kristy Beers Fägersten. 2012. Linguistics and the Study of Comics. Linguistics and the Study of Comics 239 263 .
LILY E. HIRSCH. (2010) “Playing for Change”: Peace, Universality, and the Street Performer. American Music 28:3, pages 346-367.
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Roberto Cremades, Oswaldo Lorenzo & Lucíaa Herrera. (2010) Musical tastes of secondary school students' with different cultural backgrounds: A study in the spanish north african city of Melilla. Musicae Scientiae 14:1, pages 121-141.
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Sandra Clarke & Philip Hiscock. (2009) Hip-hop in a Post-insular Community. Journal of English Linguistics 37:3, pages 241-261.
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LOREN KAJIKAWA. (2009) Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race. Journal of the Society for American Music 3:3, pages 341-363.
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YASSER MATTAR. (2009) Popular cultural cringe: language as signifier of authenticity and quality in the Singaporean popular music market. Popular Music 28:2, pages 179-195.
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Anthony Kwame Harrison. (2008) Racial Authenticity in Rap Music and Hip Hop. Sociology Compass 2:6, pages 1783-1800.
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Cecelia Cutler. (2007) Hip-Hop Language in Sociolinguistics and Beyond. Language and Linguistics Compass 1:5, pages 519-538.
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Serge Lacasse. (2007) Stratégies narratives dans « Stan » d’Eminem. Protée 34:2-3, pages 11-26.
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Mickey Hess. (2006) Was Foucault a plagiarist? Hip-hop sampling and academic citation. Computers and Composition 23:3, pages 280-295.
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Abhishek Deshmane & Victor Martinez-de-Albeniz. (2020) Come Together, Right Now: An Empirical Study of Collaborations in the Music Industry. SSRN Electronic Journal.
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