Citations (6)
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Mine Güven. (2017) On digital music consumption and user-generated content on YouTube: recoding ¿Quién será?. Journal of Media Practice 18:2-3, pages 138-153.
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Lee Barron. (2016) Pulling down barriers: Neil Peart, autobiographical confession and negotiated rock celebrity. Celebrity Studies 7:3, pages 323-338.
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Behrang Nikaeen. “I’ll Also With My Poverty, Buy All Your Sadness”: Tataloo and the Tatality Fanbase in Iran. Popular Music and Society 0:0, pages 1-18.
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Articles from other publishers (3)
Vlada Botorić. (2023) My Own Creation as a Dynamic Subcultural Objectified Authenticity of Adult Fans of LEGO. The Journal of Popular Culture 56:1, pages 7-29.
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Meicheng Sun. (2020) K-pop fan labor and an alternative creative industry: A case study of GOT7 Chinese fans. Global Media and China 5:4, pages 389-406.
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James Cronin & Hayley L. Cocker. (2018) Managing collective effervescence: ‘Zomsumption’ and postemotional fandom. Marketing Theory 19:3, pages 281-299.
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