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Introduction

Fan Practices

References

  • Adorno, Theodor. “On the Fetish-Character of Music and the Regression of Listening.” The Culture Industry: Selected Essays on Mass Culture. New York: Routledge, 1938. Print.
  • Bennett, Lucy. “Delegitimizing Strategic Power: Normative Identity and Governance in Online R.E.M. Fandom.” Transformative Works and Cultures7.11 (2011): 21 July 2014. Web.
  • Bennett, Lucy “Music Fandom Online: R.E.M. Fans in Pursuit of a First Listen.” New Media & Society14.5 (2011): 748–763. Print.
  • De Certeau, Michel. The Practice of Everyday Life. Berkeley: U of California P, 1984. Print.
  • Duffett, Mark. “Applying Durkheim to Elvis.” Transatlantica2 (2012): 21 July 2014. Web.
  • Duffett, Mark. Popular Music Fandom: Identities, Roles and Practices. New York: Routledge, 2014. Print.
  • Duffett, MarkUnderstanding Fandom. New York: Bloomsbury, 2013. Print.
  • Fiske, John. “Madonna. ”Reading the Popular. Abingdon: Routledge, 1991. Print.
  • Jenkins, Henry. Textual Poachers. New York: Routledge, 1992. Print.
  • Korobkova, Ksenia. “Schooling the Directioners: Connected Learning and Identity-Making in One Direction Fandom.” Connected Learning Working Papers. Mar. 2014. Web. 22 July 2014.
  • Moore, Roger. My Word is My Bond: The Autobiography. London: Michael O'Mara Books, 2009. Print.

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