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Articles

Artist, Craftsman, Teacher: “Being a Musician” in France and Switzerland

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Loïc Riom. (2023) ‘A video or a flat fee?’ on the performances of concert fees. Journal of Cultural Economy 16:6, pages 867-885.
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Irene Alfarone & Ugo Merlone. (2023) Should I stay or should I go: A dynamical model of musicians’ agglomeration and migration. Quality & Quantity 58:1, pages 97-116.
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Batuhan ERSÖZ. (2023) Pandemide Enformel İlişkiler ve Güvencesiz Çalışma: Müzisyen Emeğinin Sahadaki İzleriInformal Relations and Precarious Work during the Pandemic: Traces of Musician Labour in the Field. Çalışma ve Toplum 4:79, pages 3333-3360.
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Egle Skliaustyte & Matthias Weber. (2023) Subsidies versus intellectual property rights when innovators operate in two markets. PLOS ONE 18:4, pages e0284880.
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Marc Perrenoud, Pierre Bataille & Guy Elcheroth. 2023. Withstanding Vulnerability throughout Adult Life. Withstanding Vulnerability throughout Adult Life 337 357 .
Pierre Bataille, Nicky Le Feuvre & Marie Sautier. 2023. Professionalism and Social Change. Professionalism and Social Change 39 58 .
Henrik Fürst & Erik NylanderHenrik Fürst & Erik Nylander. 2023. The Value of Art Education. The Value of Art Education 165 178 .
Henrik Fürst & Erik NylanderHenrik Fürst & Erik Nylander. 2023. The Value of Art Education. The Value of Art Education 141 164 .
Henrik Fürst & Erik NylanderHenrik Fürst & Erik Nylander. 2023. The Value of Art Education. The Value of Art Education 1 24 .
Irene Alfarone & Ugo Merlone. (2022) The show must go on: Pandemic consequences on musicians’ job insecurity perception. Psychology of Music 50:6, pages 1976-2000.
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Caroline Marcoux-Gendron & Lysandre Champagne. (2022) Parcours professionnels de musiciennes migrantes, de la théorie à l’expérience. À propos du colloque Femmes musiciennes du monde tenu les 26 et 27 novembre 2021 au Centre des musiciens du monde (Montréal). Revue musicale OICRM 9:1, pages 163.
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Pierre Bataille & Marc Perrenoud. (2021) “One for the money”? The impact of the “disk crisis” on “ordinary musicians” income: The case of French speaking Switzerland. Poetics 86, pages 101552.
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Marc Perrenoud. (2021) Pour un interactionnisme dispositionnaliste dans l’étude du travailTowards a dispositionalist interactionnism in the study of work. The case of ordinary musicians professional space. SociologieS.
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Marta Casals Balaguer. (2020) Artistic-professional strategies in the music sector. The case of the jazz scene in Barcelona. SOCIOLOGIA DEL LAVORO:157, pages 145-163.
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Sarah Lahasky. (2020) Municipal Sponsorship and Musical Work in Argentina: Ensemble Institutionalization in a Neoliberal Economy. SOCIOLOGIA DEL LAVORO:157, pages 108-124.
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Vera Borges & Luísa Veloso. (2020) Emerging patterns of artistic organizations in Portugal: A three case studies analysis. SOCIOLOGIA DEL LAVORO:157, pages 84-107.
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Pierre Bataille, Sonia Bertolini, Clementina Casula & Marc Perrenoud. (2020) From atypical to paradigmatic? The relevance of the study of artistic work for the sociology of work. SOCIOLOGIA DEL LAVORO:157, pages 59-83.
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Marc Perrenoud, Pierre Bataille & Jérôme Chapuis. 2020. Sexe et genre des mondes culturels. Sexe et genre des mondes culturels 115 129 .
Pierre Bataille, Johannes M. Hedinger & Olivier Moeschler. 2020. The Sociology of Arts and Markets. The Sociology of Arts and Markets 97 128 .

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