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Popular Music and Society Volume 45, 2022 - Issue 3

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Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians)

Andrew deWaard

https://orcid.org/0000-0003-2323-2106 View further author information

Brian FauteuxCorrespondence[email protected]

https://orcid.org/0000-0003-2165-8605 View further author information

Brianne Selman

https://orcid.org/0000-0002-1768-2250 View further author information

Pages 251-278 | Published online: 03 Jan 2022

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https://doi.org/10.1080/03007766.2021.2010028
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Citations (3)

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Sophie Freeman, Martin Gibbs & Bjørn Nansen. (2023) Stories and Data: Australian Musicians Navigating the Spotify for Artists Platform. Popular Music and Society 0:0, pages 22-44.
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Ashley Cordes & Christopher Chávez. (2022) Indigenous Hitmakerz in the Arctic: negotiating local needs with global ambitions within commercial music industries. Critical Studies in Media Communication 39:5, pages 472-487.
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Patryk Galuszka & Tomasz Legiedz. Financialization of music: song management firms and fractionalized copyright. Information, Communication & Society 0:0, pages 1-17.
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