Citations (20)
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Nicole Tara Allen. (2018) Publicizing Pussy Riot: Translating (Inter) (Trans)National Memories on the Global Memoryscape. Southern Communication Journal 83:3, pages 192-203.
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Nicholas S. Paliewicz & Marouf Hasian$suffix/text()$suffix/text(). (2017) Popular memory at Ground Zero: A heterotopology of the National September 11 Memorial and Museum. Popular Communication 15:1, pages 19-36.
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Joshua D. Ambrosius & Joseph M. Valenzano III. (2016) “People in Hell Want Slurpees”: The Redefinition of the Zombie Genre through the Salvific Portrayal of Family on AMC's The Walking Dead. Communication Monographs 83:1, pages 69-93.
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Kenneth Rufo & R.
Jarrod Atchison. (2011) From Circus to Fasces: The Disciplinary Politics of Citizen and Citizenship. Review of Communication 11:3, pages 193-215.
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Richard Godfrey & Simon Lilley. (2009) Visual consumption, collective memory and the representation of war. Consumption Markets & Culture 12:4, pages 275-300.
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Kristen Hoerl. (2009) Burning Mississippi into Memory? Cinematic Amnesia as a Resource for Remembering Civil Rights. Critical Studies in Media Communication 26:1, pages 54-79.
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Kristen Hoerl. (2008) Mississippi's Social Transformation in Public Memories of the Trial Against Byron de la Beckwith for the Murder of Medgar Evers. Western Journal of Communication 72:1, pages 62-82.
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Aaron Hess. (2007) “You Don't Play, You Volunteer”: Narrative Public Memory Construction in Medal of Honor: Rising Sun
. Critical Studies in Media Communication 24:4, pages 339-356.
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Kristen Hoerl. (2007) Mario Van Peebles's Panther and Popular Memories of the Black Panther Party. Critical Studies in Media Communication 24:3, pages 206-227.
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ToddF. McDorman. (2006) History, Collective Memory, and the Supreme Court: Debating “the People” through the Dred Scott Controversy. Southern Communication Journal 71:3, pages 213-234.
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Marouf Hasian, Jr
. (2004) Remembering and forgetting the “Final Solution”: a rhetorical pilgrimage through the U.S. Holocaust Memorial Museum. Critical Studies in Media Communication 21:1, pages 64-92.
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Gordon Stables. (2003) Justifying Kosovo: Representations of Gendered Violence and U.S. Military Intervention. Critical Studies in Media Communication 20:1, pages 92-115.
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A. Susan Owen. (2002) Memory, war and American identity: Saving Private Ryan as cinematic jeremiad. Critical Studies in Media Communication 19:3, pages 249-282.
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Articles from other publishers (7)
Laura Fernández-Ramírez & Ignacio Nevado. (2022) Narrative Structure and Ideology. Eisenstein in Saving Private Ryan. Área Abierta 22:3, pages 353-366.
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Michael A Rancourt. (2017)
Shaping mnemonic opportunity: Remembering Iraq in
American Sniper
. Memory Studies 13:2, pages 223-236.
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James Creel. (2020)
Gender, Horror, and War: Reading
Saving Private Ryan
as Horror Film
. The Journal of Popular Culture 53:1, pages 215-234.
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DUNCAN C. STEWART & TAYLOR N. JOHNSON. (2018) Complicating Aesthetic Environmentalism: Four Criticisms of Aesthetic Motivations for Environmental Action. The Journal of Aesthetics and Art Criticism 76:4, pages 441-451.
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Michael Lipiner & Rocco Giansante. 2018. Steven Spielberg. Steven Spielberg
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234
.
Scott R. Stroud. (2017) Rhetoric, ethics, and the principle of charity. Language and Dialogue 7:1, pages 26-44.
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Michael L. Butterworth. (2012) Public Memory and Penn State. Cultural Studies ↔ Critical Methodologies 12:4, pages 369-372.
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