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Original Articles

DOUBLE NEGATIONS: HONG KONG CULTURAL IDENTITY IN HOLLYWOOD'S TRANSNATIONAL REPRESENTATIONS

Pages 464-485 | Published online: 21 Oct 2010

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Read on this site (5)

Chris Holmlund. (2010) Celebrity, ageing and Jackie Chan: middle-aged Asian in transnational action. Celebrity Studies 1:1, pages 96-112.
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Kean Fan Lim. (2006) Transnational collaborations, local competitiveness: mapping the geographies of filmmaking in/through hong kong. Geografiska Annaler: Series B, Human Geography 88:3, pages 337-357.
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Christina Klein. (2004) Martial arts and the globalization of US and Asian film industries. Comparative American Studies An International Journal 2:3, pages 360-384.
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Yuan Shu. (2003) Reading the Kung Fu Film in an American Context: From Bruce Lee to Jackie Chan. Journal of Popular Film and Television 31:2, pages 50-59.
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Articles from other publishers (4)

Dorothy Wai Sim LauDorothy Wai Sim Lau. 2021. Reorienting Chinese Stars in Global Polyphonic Networks. Reorienting Chinese Stars in Global Polyphonic Networks 179 200 .
Audrey Yue. 2015. A Companion to Hong Kong Cinema. A Companion to Hong Kong Cinema 284 304 .
Peichi Chung. 2011. Global Media Convergence and Cultural Transformation. Global Media Convergence and Cultural Transformation 80 93 .
Ji Hoon Park, Nadine G. Gabbadon & Ariel R. Chernin. (2006) Naturalizing Racial Differences Through Comedy: Asian, Black, and White Views on Racial Stereotypes in Rush Hour 2. Journal of Communication 56:1, pages 157-177.
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