References
- Bogle , Donald . 1994 . Toms, Coons, Mulattoes, Mammies, and Bucks: an Interpretive History of Blacks in American Films , 3rd edition , New York : Continuum .
- Bordwell , David . 1997 . “ Aesthetics in action: kung fu, gunplay, and cinematic expressivity ” . In Fifty Years of Electric Shadows , Edited by: Kar , Law . 81 – 89 . Hong Kong : Urban Council .
- Chow , Rey . 1991 . “ Seeing modern China: toward a theory of ethnic spectatorship ” . In Woman and Chinese Modernity: The Politics of Reading between West and East , Minneapolis : University of Minnesota Press .
- Chow , Rey . 1995 . “ The forces of surfaces: defiance in Zhang Yimou's films ” . In Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema , New York : Columbia University Press .
- Corliss , Richard . 1998 . King of America . Time , 152.15 19 October : 54 – 55 . Asian edition
- Dannen , Fredric and Long , Barry . 1997 . Hong Kong Babylon: An Insider's Guide to the Hollywood of the East , New York : Miramax Books .
- Denzin , Norman K. 1995 . The Cinematic Society: The Voyeur's Gaze , London : SAGE .
- Desser , David . 2000 . “ The kung fu craze: Hong Kong cinema's first American reception ” . In The Cinema of Hong Kong: History, Arts, Identity , Edited by: Fu , Poshek and Desser , David . New York : Cambridge University Press .
- Fore , Steve . 1997 . “ Jackie Chan and the cultural dynamics of global entertainment ” . In Transnational Chinese Cinemas: Identity, Nationhood, Gender , Edited by: Lu , Sheldon H. Honolulu : University of Hawaii Press .
- Hanke , Ken . 1989 . Charlie Chan at the Movies: History, Filmography, and Criticism , Jefferson, North Carolina : McFarland & Co .
- Kemp , Philip . 1998 . Rush Hour . Sight and Sound , 8 ( 12 ) : 60 – 61 .
- Lacan , Jacques . 1977 . Ecrits , Edited by: Sheridan , Alan . New York : Norton .
- Law , Kar , ed. 1992 . Overseas Chinese Figures in Cinema , Hong Kong : Urban Council .
- Lii , Ding-Tzann . 1998 . “ A colonized empire: reflections on the expansion of Hong Kong films in Asian countries ” . In Trajectories: Inter-Asia Cultural Studies , Edited by: Chen , Kuan-Hsing . New York : Routledge .
- Lo , Kwai-cheung . 1996 . Muscles and subjectivity: a short history of masculine body in Hong Kong popular culture . Camera Obscura , 39 : 107 – 125 .
- Marchetti , Gina . 1993 . Romance and the 'Yellow Peril': Race, Sex, and Discursive Strategies in Hollywood Fiction , Berkeley : University of California Press .
- Marchetti , Gina . 1998 . Chinese and Chinese diaspora cinema - plural and transnational: introduction . Jump Cut , 42 : 68 – 72 .
- Ong , Aihwa . 1993 . On the edge of empires: flexible citizenship among Chinese in diaspora . Positions , 1 ( 3 ) : 745 – 778 .
- Ong , Aihwa and Nonini , Donald M. , eds. 1997 . Ungrounded Empires: The Cultural Politics of Modern Chinese Transnationalism , New York : Routledge .
- Stokes , Lisa Odham and Hoover , Michael . 1999 . City on Fire:Hong Kong Cinema , New York : Verso .
- Tasker , Yvonne . 1993 . Spectacular Bodies: Gender, Genre and the Action Cinema , New York : Routledge .
- Turner , Matthew . 1995 . “ Hong Kong 60s/90s: dissolving the people ” . In Hong Kong Sixties: Designing Identity , Edited by: Turner , M. Hong Kong : Hong Kong Arts Centre .
- Wong , Eugene Franklin . 1978 . On Visual Media Racism: Asians in the American Motion Pictures , New York : Arno .
- Yearwood , G. L. 1982 . The hero in black film . Wide Angle , 5 ( 2 ) : 42 – 50 .
- Zizek , Slavoj . 1998 . A leftist plea for “Eurocentrism . Critical Inquiry , 24 : 988 – 1009 .
- Zizek , Slavoj . 1993 . Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology , Durham : Duke University Press .