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Women: a cultural review Volume 24, 2013 - Issue 4
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ARTICLES

Women's Musical Lives: Self-Managing a Freelance Career

Victoria Armstrong
Pages 298-314 | Published online: 09 Nov 2013

Citations (7)

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Read on this site (3)

Anna Nørholm Lundin. (2023) “Where is your fixed point?” Dealing with ambiguous freelance musician careers. Cultural Trends 32:3, pages 231-246.
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Brydie-Leigh Bartleet, Christina Ballico, Dawn Bennett, Ruth Bridgstock, Paul Draper, Vanessa Tomlinson & Scott Harrison. (2019) Building sustainable portfolio careers in music: insights and implications for higher education. Music Education Research 21:3, pages 282-294.
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Ana Hofman. (2015) Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia. Ethnomusicology Forum 24:1, pages 28-50.
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Articles from other publishers (4)

Cecilia Ferm Almqvist. (2021) Becoming (Musical) Woman—Virtual Femininity Beyond Gender in Interplay with Spotify. Feminist Encounters: A Journal of Critical Studies in Culture and Politics 5:1, pages 10.
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Neil Thomas Smith & Rachel Thwaites. (2018) The composition of precarity: ‘emerging’ composers’ experiences of opportunity culture in contemporary classical music. The British Journal of Sociology 70:2, pages 589-609.
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Melody Barlage, Arjan van den Born & Arjen van Witteloostuijn. (2019) The needs of freelancers and the characteristics of ‘gigs’: Creating beneficial relations between freelancers and their hiring organizations. Emerald Open Research 1, pages 8.
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Ioannis Tsioulakis. 2018. The Routledge Companion to the Study of Local Musicking. The Routledge Companion to the Study of Local Musicking 405 416 .

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