Citations (7)
Keep up to date with the latest research on this topic with citation updates for this article.
Read on this site (3)
Anna Nørholm Lundin. (2023) “Where is your fixed point?” Dealing with ambiguous freelance musician careers. Cultural Trends 32:3, pages 231-246.
Read now
Read now
Brydie-Leigh Bartleet, Christina Ballico, Dawn Bennett, Ruth Bridgstock, Paul Draper, Vanessa Tomlinson & Scott Harrison. (2019) Building sustainable portfolio careers in music: insights and implications for higher education. Music Education Research 21:3, pages 282-294.
Read now
Read now
Ana Hofman. (2015) Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia. Ethnomusicology Forum 24:1, pages 28-50.
Read now
Read now
Articles from other publishers (4)
Cecilia Ferm Almqvist. (2021) Becoming (Musical) Woman—Virtual Femininity Beyond Gender in Interplay with Spotify. Feminist Encounters: A Journal of Critical Studies in Culture and Politics 5:1, pages 10.
Crossref
Crossref
Neil Thomas Smith & Rachel Thwaites. (2018) The composition of precarity: ‘emerging’ composers’ experiences of opportunity culture in contemporary classical music. The British Journal of Sociology 70:2, pages 589-609.
Crossref
Crossref
Melody Barlage, Arjan van den Born & Arjen van Witteloostuijn. (2019) The needs of freelancers and the characteristics of ‘gigs’: Creating beneficial relations between freelancers and their hiring organizations. Emerald Open Research 1, pages 8.
Crossref
Crossref
Ioannis Tsioulakis. 2018. The Routledge Companion to the Study of Local Musicking. The Routledge Companion to the Study of Local Musicking
405
416
.