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Curatorship

A museum for the twenty-first century: the influence of ‘sociality’ on art reception in museum space

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Pages 461-486 | Received 15 Feb 2012, Accepted 12 Jun 2012, Published online: 21 Nov 2012

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Diolinda Ramírez-Gutiérrez. (2023) Re-imagining museums through the ninth art: five comic books as case studies. Journal of Graphic Novels and Comics 14:3, pages 453-471.
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Rebekah M. Rodriguez-Boerwinkle & Paul J. Silvia. (2023) Visiting Virtual Museums: How Personality and Art-Related Individual Differences Shape Visitor Behavior in an Online Virtual Gallery. Empirical Studies of the Arts.
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Hannah Kaube, Anna Eiserbeck & Rasha Abdel Rahman. (2023) Separating art from the artist: The effect of negative affective knowledge on ERPs and aesthetic experience. PLOS ONE 18:1, pages e0281082.
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Ina Roß. 2023. Die Eroberung des Museums. Die Eroberung des Museums.
Taeha Yi, Hao-yun Lee, Joosun Yum & Ji-Hyun Lee. (2022) The influence of visitor-based social contextual information on visitors’ museum experience. PLOS ONE 17:5, pages e0266856.
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Elaine J. Watson & Ellie Dworak. (2022) Impact of an Institutional Repository on Viewers’ Experiences of a Student Art Exhibition. Journal of Librarianship and Scholarly Communication 10:1.
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Diego Ortega Alonso & Juan Antonio Parrilla González. (2021) Museumization of olive oil mills: instruments for conservation of the heritage of the olive grove culture. Ge-conservacion 20, pages 173-183.
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Marcus Winter. 2021. Computer-Human Interaction Research and Applications. Computer-Human Interaction Research and Applications 1 24 .
Claudia Annechini, Elisa Menardo, Rob Hall & Margherita Pasini. (2020) Aesthetic Attributes of Museum Environmental Experience: A Pilot Study With Children as Visitors. Frontiers in Psychology 11.
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Priscilla Adipa. (2019) Talking events: How social interaction and discourse shape cultural participation, aesthetic evaluation, and meaning-making. Poetics 77, pages 101381.
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Nan Wang & Liang Xia. (2019) Human-exhibition interaction (HEI) in designing exhibitions: A systematic literature review. International Journal of Hospitality Management 77, pages 292-302.
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Dimitra Christidou. (2018) Art on the move: The role of joint attention in visitors' encounters with artworks. Learning, Culture and Social Interaction 19, pages 1-10.
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Vera M. Hesslinger, Claus-Christian Carbon & Heiko Hecht. (2017) Social Factors in Aesthetics: Social Conformity Pressure and a Sense of Being Watched Affect Aesthetic Judgments. i-Perception 8:6, pages 204166951773632.
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Claus-Christian Carbon. (2017) Art Perception in the Museum: How We Spend Time and Space in Art Exhibitions. i-Perception 8:1, pages 204166951769418.
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Judith-Marie Beaudoin. (2016) Évaluation de parcours d’exposition : une approche par indicateurs spatiaux et temporels. La Lettre de l’OCIM:165, pages 24-31.
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Martin Tröndle & Wolfgang Tschacher. (2016) Art Affinity Influences Art Reception (in the Eye of the Beholder). Empirical Studies of the Arts 34:1, pages 74-102.
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Wolfgang Tschacher, Claudia Bergomi & Martin Tröndle. (2015) The Art Affinity Index (AAI). Empirical Studies of the Arts 33:2, pages 161-174.
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Theano Moussouri & George Roussos. (2015) Conducting Visitor Studies Using Smartphone-Based Location Sensing. Journal on Computing and Cultural Heritage 8:3, pages 1-16.
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Volker Kirchberg & Martin Tröndle. (2015) The Museum Experience: Mapping the Experience of Fine Art. Curator: The Museum Journal 58:2, pages 169-193.
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Martin Tröndle, Volker Kirchberg & Wolfgang Tschacher. (2014) Subtle Differences: Men and Women and Their Art Reception. Journal of Aesthetic Education 48:4, pages 65-93.
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Helmut Leder & Marcos Nadal. (2014) Ten years of a model of aesthetic appreciation and aesthetic judgments : The aesthetic episode - Developments and challenges in empirical aesthetics. British Journal of Psychology 105:4, pages 443-464.
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Martin Tröndle, Volker Kirchberg & Wolfgang Tschacher. (2014) Is This Art? An Experimental Study on Visitors’ Judgement of Contemporary Art. Cultural Sociology 8:3, pages 310-332.
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