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Articles

Local contexts as activation mechanisms of market development: contemporary art in emerging markets

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Read on this site (8)

Federica De Molli, Marilena Vecco & Marta Pizzetti. (2023) Space for seduction: the redefining of auction houses’ role in the art market. Consumption Markets & Culture 26:1, pages 47-63.
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Tindara Abbate, Marilena Vecco, Carlo Vermiglio, Vincenzo Zarone & Mirko Perano. (2022) Blockchain and art market: resistance or adoption?. Consumption Markets & Culture 25:2, pages 105-123.
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Stephanie Dieckvoss. (2020) The Musée d’Art Contemporain Africain Al Maaden in Marrakech: a case study in collecting and place-making. Journal of Visual Art Practice 19:3, pages 254-268.
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Alexandrea J. Ravenelle. (2020) Digitalization and the hybridization of markets and circuits in Airbnb. Consumption Markets & Culture 23:2, pages 154-173.
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Steven Chen. (2019) Internationalising cultural products: the Ouroboros strategy and the case of visual kei. Journal of Marketing Management 35:13-14, pages 1214-1240.
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Johan Hagberg & Christian Fuentes. (2018) Retail formations: tracing the fluid forms of an online retailer. Consumption Markets & Culture 21:5, pages 423-444.
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Johanna F. Gollnhofer & Alev P. Kuruoglu. (2018) Makeshift markets and grassroots reponsibilization. Consumption Markets & Culture 21:4, pages 301-322.
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Articles from other publishers (15)

Eda Aylin Genc & Mehmet Okan. (2022) Artists’ production sensibilities within the dynamics of an emerging art market. Arts and the Market 12:2, pages 150-163.
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Jonathan AdeyemiJonathan Adeyemi. 2022. Contemporary Art from Nigeria in the Global Markets. Contemporary Art from Nigeria in the Global Markets 1 13 .
Aidin Salamzadeh, Samira Sadat Mortazavi & Morteza Hadizadeh. 2022. Artisan and Handicraft Entrepreneurs. Artisan and Handicraft Entrepreneurs 217 238 .
James R. Faulconbridge & Daniel Muzio. (2021) Valuation devices and the dynamic legitimacy-performativity nexus: The case of PEP in the English legal profession. Accounting, Organizations and Society 91, pages 101224.
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Jeremie Molho. (2021) Becoming Asia’s Art Market Hub: Comparing Singapore and Hong Kong. Arts 10:2, pages 28.
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Amanda Brandellero. (2020) Inside and Outside the Market for Contemporary Art in Brazil, through the Experience of Artists and Gallerists. Arts 9:4, pages 113.
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Aylin Ecem Gürşen. (2020) Art marketing as an emerging area in an emerging market. Arts and the Market 10:1, pages 34-52.
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Matteo Corciolani, Kent Grayson & Ashlee Humphreys. (2020) Do more experienced critics review differently?. European Journal of Marketing 54:3, pages 478-510.
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Linzhi Zhang. 2020. The Sociology of Arts and Markets. The Sociology of Arts and Markets 287 316 .
Annamma Joy & Russell Belk. (2019) India’s Kochi Biennale: sponsorship, patronage, and art’s resistance. Arts and the Market 9:1, pages 16-31.
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Alicia Mateos-Ronco & Nieves Peiró Torralba. (2019) Sustainable Management of Contemporary Art Galleries: A Delphi Survey for the Spanish Art Market. Sustainability 11:2, pages 541.
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Olav Velthuis & Amanda Brandellero. (2018) Introduction to special issue on Global art markets. Poetics 71, pages 1-6.
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Nataliya Komarova. (2018) Between the market and noncommercial art institutions: Early career strategies of contemporary artists in emerging art scenes. Poetics 71, pages 33-42.
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Amanda Brandellero & Olav Velthuis. (2018) Reviewing art from the periphery. A comparative analysis of reviews of Brazilian art exhibitions in the press. Poetics 71, pages 55-70.
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Nataliya Komarova. (2017) Ups and downs of art commerce: narratives of “crisis” in the contemporary art markets of Russia and India. Theory and Society 46:4, pages 319-352.
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