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International Journal of Cultural Policy Volume 24, 2018 - Issue 3
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Articles

Regulating for creativity and cultural diversity: the case of collective management organisations and the music industry

John StreetSchool of Politics, Philosophy, Language and Communication Studies, University of East Anglia, NorwichNR4 7TJ, UKCorrespondence[email protected]
,
Dave LaingSchool of Politics, Philosophy, Language and Communication Studies, University of East Anglia, NorwichNR4 7TJ, UK
&
Simone SchroffInstitute for Information Law, University of Amsterdam, Vendelstraat 7, 1012 XXAmsterdam, The Netherlands
Pages 368-386 | Received 05 Oct 2015, Accepted 12 Apr 2016, Published online: 09 May 2016

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Read on this site (2)

Yngvar Kjus. (2022) License to stream? A study of how rights-holders have responded to music streaming services in Norway. International Journal of Cultural Policy 28:1, pages 61-73.
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Yngvar Kjus. (2021) The Use of Copyright in Digital Times: A Study of How Artists Exercise Their Rights in Norway. Popular Music and Society 44:3, pages 241-257.
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Articles from other publishers (3)

Ni Ketut Supasti Dharmawan, I Made Sarjana, I Gede Agus Kurniawan & Putu Aras Samsithawrati. 2023. Proceedings of the 3rd International Conference on Business Law and Local Wisdom in Tourism (ICBLT 2022). Proceedings of the 3rd International Conference on Business Law and Local Wisdom in Tourism (ICBLT 2022) 861 871 .
Yngvar Kjus & Roy Aulie Jacobsen. (2022) Will the EU’s directive on copyright in the digital market change the power balance of the music industry? Views from Norway. Nordisk kulturpolitisk tidsskrift 25:1, pages 28-42.
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Pawel Kossecki, Andrzej Karp, Oguzhan Akin, Karolina Płoneczka & Dominika Narożna. (2021) Economics of Music Industry – Revenue Streams of the Artists. SSRN Electronic Journal.
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