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Continuum
Journal of Media & Cultural Studies
Volume 23, 2009 - Issue 2: Cultural Adaptation
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Original Articles

Great adaptations: China's creative clusters and the new social contract

Pages 221-230 | Published online: 08 Apr 2009

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (10)

Haili Ma. (2022) The Missing Intangible Cultural Heritage in Shanghai Cultural and Creative Industries. International Journal of Heritage Studies 28:5, pages 597-608.
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Caroline Chapain & Dominique Sagot-Duvauroux. (2020) Cultural and creative clusters – a systematic literature review and a renewed research agenda. Urban Research & Practice 13:3, pages 300-329.
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John McCarthy & Yan Wang. (2016) Culture, creativity and commerce: trajectories and tensions in the case of Beijing's 798 Art Zone. International Planning Studies 21:1, pages 1-15.
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Wendy Su. (2015) From culture for the people to culture for profit: the PRC’s journey toward a cultural industries approach. International Journal of Cultural Policy 21:5, pages 513-528.
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Yuxing Zhou. (2015) Pursuing soft power through cinema: censorship and double standards in mainland China. Journal of Chinese Cinemas 9:3, pages 239-252.
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Bregje van Eekelen. (2015) Knowledge for the West, Production for the Rest?. Journal of Cultural Economy 8:4, pages 479-500.
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Jin-Liao He & Hans Gebhardt. (2014) Space of Creative Industries: A Case Study of Spatial Characteristics of Creative Clusters in Shanghai. European Planning Studies 22:11, pages 2351-2368.
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Michael Keane. (2009) Creative industries in China: four perspectives on social transformation. International Journal of Cultural Policy 15:4, pages 431-443.
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Articles from other publishers (26)

Zhu Qian. 2023. The City in an Era of Cascading Risks. The City in an Era of Cascading Risks 213 230 .
Yuet Kai Chan & Henry Ma. (2022) Need satisfaction management strategies: Motivating designers in mainland China. Journal of Design, Business & Society 8:1, pages 111-133.
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Lisa LinLisa Lin. 2022. Convergent Chinese Television Industries. Convergent Chinese Television Industries 177 198 .
A. S. Zhuparova & A. K. Kozhakhmetova. (2021) Creative industries in developing countries: experience of Kazakhstan. Central Asian Economic Review:4, pages 100-110.
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Basile Michel. (2021) Art, creativity, and tourism in creative quarters: trajectory and tensions of the cultural scene of the M50 art district in ShanghaiArt, créativité et tourisme dans les quartiers créatifs : trajectoire et tensions de la scène culturelle du quartier artistique M50 à ShanghaiArte, creatividad y turismo en los barrios creativos: trayectoria y tensiones en la escena cultural del barrio artístico M50 en Shanghái. Cybergeo.
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Jie Li. (2020) Culture and tourism-led peri-urban transformation in China – The case of Shanghai. Cities 99, pages 102628.
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Shenjing He. (2019) The creative spatio-temporal fix: Creative and cultural industries development in Shanghai, China. Geoforum 106, pages 310-319.
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Huiwen Gong & Robert Hassink. (2019) Developing the Shanghai online games industry: A multi‐scalar institutional perspective. Growth and Change 50:3, pages 1006-1025.
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Robin Visser. (2018) Posthuman policies for creative, smart, eco-cities? Case studies from China. Environment and Planning A: Economy and Space 51:1, pages 206-225.
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Basile Michel. (2018) Les quartiers créatifs : construction de clubs de travailleurs créatifs. Analyse croisée des quartiers du Panier (Marseille) et des Olivettes (Nantes). Annales de géographie N° 721:3, pages 227-253.
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Jinliao HeXianjin HuangGuangliang Xi. (2018) Measuring Urban Metrics of Creativity Using a Grid-Based Geographically Weighted Regression Model. Journal of Urban Planning and Development 144:2.
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James J. Gregory & Christian M. Rogerson. (2018) Suburban creativity: The geography of creative industriesin Johannesburg. Bulletin of Geography. Socio-economic Series 39:39, pages 31-52.
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Jung Won Sonn, Kelly Wanjing Chen, He Wang & Xiao Liu. (2017) A top-down creation of a cultural cluster for urban regeneration: The case of OCT Loft, Shenzhen. Land Use Policy 69, pages 307-316.
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Thomas Paris & Patrick L. Lê. (2016) Industries de création et territoires, une relation spécifique ?. Réseaux n° 196:2, pages 49-80.
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James J Gregory. (2015) Creative industries and urban regeneration – The Maboneng precinct, Johannesburg. Local Economy: The Journal of the Local Economy Policy Unit 31:1-2, pages 158-171.
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Dan Cohen. (2015) Grounding mobile policies: Ad hoc networks and the creative city in Bandung, Indonesia. Singapore Journal of Tropical Geography 36:1, pages 23-37.
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Xin Gu. 2014. Cultural Policies in East Asia. Cultural Policies in East Asia 174 192 .
Si-ming Li, Hung-ha Cheng & Jun Wang. (2014) Making a cultural cluster in China: A study of Dafen Oil Painting Village, Shenzhen. Habitat International 41, pages 156-164.
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Jinliao HeJinliao He. 2014. Creative Industry Districts. Creative Industry Districts 167 174 .
Jinliao HeJinliao He. 2014. Creative Industry Districts. Creative Industry Districts 145 166 .
Jinliao HeJinliao He. 2014. Creative Industry Districts. Creative Industry Districts 79 115 .
Jinliao HeJinliao He. 2014. Creative Industry Districts. Creative Industry Districts 43 78 .
Ryan Daniel & Leah Daniel. (2013) Enhancing the transition from study to work: Reflections on the value and impact of internships in the creative and performing arts. Arts and Humanities in Higher Education 12:2-3, pages 138-153.
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Daniel Ashton & Caitriona NoonanSusan Luckman. 2013. Cultural Work and Higher Education. Cultural Work and Higher Education 69 86 .
Siti Salwa Isa, Siti Suriawati Isa & Abu Ali. (2011) The development of the creative economy in Malaysia as experienced in two different case studies. The development of the creative economy in Malaysia as experienced in two different case studies.
Jan van der Borg, Erwin van Tuijl & Alessandro Costa. (2010) Designing the Dragon or Does the Dragon Design? An Analysis of the Impact of the Creative Industry on the Process of Urban Development of Beijing, China. SSRN Electronic Journal.
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