Citations (48)
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Charnell Peters. (2023) Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing. Text and Performance Quarterly 0:0, pages 1-18.
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Ariel Kizer & Ethan Hunter. (2023) They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation. Text and Performance Quarterly 43:1, pages 62-69.
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Shadee Abdi. (2023) Worldmaking with Aberoo: Queer Familial Relationality with/for Iranian Americans. Journal of Homosexuality 70:1, pages 71-87.
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Nico A. Canoy & Anne Marie D. C. Topacio. (2022) Unhearing Online Suicide Talk: Becoming-Voice through the Use of Maddening Poetic Conversations. Journal of Constructivist Psychology 35:1, pages 106-122.
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Gloria Nziba Pindi. (2020) Speaking Back to Academic Colonial Gatekeeping: The Significance of Intercultural Performance Studies Works in Promoting Marginalized Knowledges and Identities. Journal of Intercultural Communication Research 49:5, pages 442-457.
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Nikki Owusu Yeboah. (2020) “I know how it is when nobody sees you”: oral-history performance methods for staging trauma. Text and Performance Quarterly 40:2, pages 131-151.
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Jake Simmons & Travis Brisini. (2020) Performance studies in communication. Text and Performance Quarterly 40:1, pages 1-48.
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Tracy Stephenson Shaffer. (2020) The place of performance in performance studies. Text and Performance Quarterly 40:1, pages 49-71.
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Courtney E. Knapp. (2017) Experimenting with anarchistic approaches to collaborative planning: The Planning Free School of Chattanooga. Journal of Urban Affairs 39:5, pages 635-657.
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Tracy Stephenson Shaffer. (2016) Performance tells it slant. Text and Performance Quarterly 36:1, pages 1-5.
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Sandra L. Faulkner & Paul D. Ruby. (2015) Feminist Identity in Romantic Relationships: A Relational Dialectics Analysis of E-Mail Discourse as Collaborative Found Poetry. Women's Studies in Communication 38:2, pages 206-226.
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Philip Bostic & Karla Manning. (2015) Learning to (re)member the things we’ve learned to forget: endarkened feminisms, spirituality, & the sacred nature of research & teaching. International Journal of Qualitative Studies in Education 28:1, pages 131-136.
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MichaelK. Middleton, Samantha Senda-Cook & Danielle Endres. (2011) Articulating Rhetorical Field Methods: Challenges and Tensions. Western Journal of Communication 75:4, pages 386-406.
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KarmaR. Chávez. (2009) Remapping Latinidad: A Performance Cartography of Latina/o Identity in Rural Nebraska. Text and Performance Quarterly 29:2, pages 165-182.
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Amardo Rodriguez. (2007) Predicaments, Dilemmas, and the Challenge of Knowledge. Howard Journal of Communications 18:1, pages 57-68.
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DonaldC. Shields. (2000) Symbolic convergence and special communication theories: Sensing and examining dis/enchantment with the theoretical robustness of critical auto ethnography. Communication Monographs 67:4, pages 392-421.
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JudithL. Stephens. (2000) Politics and aesthetics, race and gender: Georgia Douglas Johnson's lynching dramas as black feminist cultural performance. Text and Performance Quarterly 20:3, pages 251-267.
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KristinM. Langellier. (1999) Personal narrative, performance, performativity: Two or three things I know for sure. Text and Performance Quarterly 19:2, pages 125-144.
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D. Soyini Madison. (1999) Performing theory/embodied writing. Text and Performance Quarterly 19:2, pages 107-124.
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LaraE. Dieckmann. (1999) Toward a feminist chamber theatre method. Text and Performance Quarterly 19:1, pages 38-56.
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Daun Kendig. (1997) Transforming gender scripts: Life after you just don't understand
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EricE. Peterson & KristinM. Langellier. (1997) The politics of personal narrative methodology. Text and Performance Quarterly 17:2, pages 135-152.
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Sandra Petronio, LisaA. Flores & MichaelL. Hecht. (1997) Locating the voice of logic: Disclosure discourse of sexual abuse. Western Journal of Communication 61:1, pages 101-113.
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JoniL. Jones. (1996) The self as other: Creating the role of Joni the ethnographer for broken circles
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FrederickC. Corey. (1996) Personal narratives and young men in prison: Labeling the outside inside. Western Journal of Communication 60:1, pages 57-75.
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Nathan Stucky. (1995) Performing oral history: Storytelling and pedagogy. Communication Education 44:1, pages 1-14.
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RichardA. Rogers. (1994) Rhythm and the performance of organization. Text and Performance Quarterly 14:3, pages 222-237.
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SallyJ. Perkins. (1994) Toward a rhetorical/dramatic theory of instructional communication. Communication Education 43:3, pages 222-235.
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WayneJ. Mcmullen & Martha Solomon. (1994) The politics of adaptation: Steven Spielberg's appropriation of the color purple
. Text and Performance Quarterly 14:2, pages 158-174.
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Shelby Swafford. (2019) To Be a (M)other: A Feminist Performative Autoethnography of Abortion. Cultural Studies ↔ Critical Methodologies 20:2, pages 95-103.
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Ramona Beltrán. (2019) “I (We) Refuse to Be Silenced”: Poetic Self-Reflexivity as a Feminist Tool of Resistance. Affilia 34:2, pages 145-150.
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Antonia R. G. Alvarez. (2016) Keeping Them Out, Letting You In. Affilia 32:2, pages 251-258.
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Shinsuke Eguchi & Godfried Asante. (2016) Disidentifications Revisited: Queer(y)ing Intercultural Communication Theory. Communication Theory 26:2, pages 171-189.
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Jennifer A. Zenovich & Shane T. Moreman. (2015) Third Wave Feminist Analysis of a Second Wave Feminist's Art. Departures in Critical Qualitative Research 4:1, pages 57-80.
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Rachel Alicia Griffin. (2015) On Sweetwater and the Significance of Black Women Tellin'. Departures in Critical Qualitative Research 4:1, pages 133-136.
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Aisha Durham. (2015) Kindred Narratives. Departures in Critical Qualitative Research 4:1, pages 110-113.
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Aisha Durham. (2014) Kindred Narratives. Qualitative Inquiry 21:2, pages 122-124.
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Bernadette Marie Calafell. (2012) Monstrous Femininity. Journal of Communication Inquiry 36:2, pages 111-130.
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Bernadette Marie Calafell. (2016) Mentoring and Love: An Open Letter. Cultural Studies ↔ Critical Methodologies 7:4, pages 425-441.
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Sandra L. Faulkner. (2016) Concern With Craft. Qualitative Inquiry 13:2, pages 218-234.
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Bryant Keith Alexander. (2016) Passing, Cultural Performance, and Individual Agency: Performative Reflections on Black Masculine Identity. Cultural Studies ↔ Critical Methodologies 4:3, pages 377-404.
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Tami Spry. (2016) Performing Autoethnography: An Embodied Methodological Praxis. Qualitative Inquiry 7:6, pages 706-732.
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Lisa A Flores. (2000) Reclaiming the “Other”: toward a Chicana feminist critical perspective. International Journal of Intercultural Relations 24:5, pages 687-705.
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