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Contemporary Theatre Review Volume 22, 2012 - Issue 2: Site-specificity and Mobility
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Site-specific Performance and the Mobility Turn

Fiona Wilkie
Pages 203-212 | Published online: 24 May 2012

Citations (18)

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Read on this site (7)

Paul Atkinson, Michelle Duffy & Joanne Ailwood. (2023) Ballet in a Box: Iso-Ballet, Lockdown, and the Reconstruction of the Domestic Space. GeoHumanities 9:2, pages 411-426.
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Néill O’Dwyer, Gareth W. Young & Aljosa Smolic. (2022) XR Ulysses: addressing the disappointment of cancelled site-specific re-enactments of Joycean literary cultural heritage on Bloomsday. International Journal of Performance Arts and Digital Media 18:1, pages 29-47.
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Nadra Majeed Assaf & Amr Selim. (2021) Audience/performer re-action: an investigation into audience/performer reciprocity via a touring site-specific performance in Lebanon. Research in Dance Education 22:2, pages 130-149.
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Lisa Milner & Cathy Brigden. (2019) Staging international communism: British–Australian radical theatre connections. Contemporary British History 33:4, pages 507-523.
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Kirsty Sedgman. (2017) Audience experience in Rimini Protokoll’s Outdoors. Studies in Theatre and Performance 37:3, pages 350-364.
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Peter Merriman & Lynne Pearce. (2017) Mobility and the humanities. Mobilities 12:4, pages 493-508.
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David Overend. (2015) Dramaturgies of mobility: on the road with Rob Drummond’s Bullet Catch. Studies in Theatre and Performance 35:1, pages 36-51.
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Articles from other publishers (11)

Marilena Zaroulia. 2023. The Palgrave Handbook of Theatre and Migration. The Palgrave Handbook of Theatre and Migration 513 523 .
Angela Campbell. 2020. Located Research. Located Research 55 69 .
Charlotte Veal. (2017) Micro‐bodily mobilities: Choreographing geographies and mobilities of dance and disability. Area 50:3, pages 306-313.
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Melanie Kloetzel. (2017) Site and Re-Site: Early Efforts to Serialize Site Dance. Dance Research Journal 49:1, pages 6-23.
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Melanie Kloetzel. 2016. Dance’s Duet with the Camera. Dance’s Duet with the Camera 19 47 .
Laura Bissell & David Overend. (2015) Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute 1. Humanities 4:3, pages 476-499.
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Katya Johanson. (2015) Wild and banal: the value of the arts as commons. International Journal of Event and Festival Management 6:2, pages 111-121.
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Tim Edensor & Caitlan Bowdler. (2015) Site-Specific Dance: Revealing and Contesting the Ludic Qualities, Everyday Rhythms, and Embodied Habits of Place. Environment and Planning A: Economy and Space 47:3, pages 709-726.
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Peter Merriman. (2014) Mobilities I. Progress in Human Geography 39:1, pages 87-95.
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Marlis SchweitzerMarlis Schweitzer. 2015. Transatlantic Broadway. Transatlantic Broadway 37 68 .
Marlis SchweitzerMarlis Schweitzer. 2015. Transatlantic Broadway. Transatlantic Broadway 1 36 .

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