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The Communication Review Volume 4, 2001 - Issue 3
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Original Articles

A nation of millions: Hip hop culture and the legacy of black nationalism

S. Craig Watkins Department of Radio‐Television‐Film, The University of Texas, CMA 6.118, Austin, TX, 78712–1091, USA E-mail: scraigwatkins@ mail.utexas.edu
Pages 373-398 | Published online: 18 May 2009

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Damariyé L. Smith. (2023) “Not You Too”: Drake, heartbreak, and the romantic communication of Black male vulnerability. Critical Studies in Media Communication 40:1, pages 41-54.
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Ashley Cordes & Christopher Chávez. (2022) Indigenous Hitmakerz in the Arctic: negotiating local needs with global ambitions within commercial music industries. Critical Studies in Media Communication 39:5, pages 472-487.
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Articles from other publishers (19)

Damariyé L. Smith. (2023) Hussle and Motivate: An Afrocentric Understanding of Constitutive Rhetoric Toward Economic Empowerment in Nipsey Hussle’s Victory Lap Album . Journal of Black Studies 54:4, pages 312-333.
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Moh. Muttaqin & Vita Pusvita. 2023. Assembling Nusantara. Assembling Nusantara 231 248 .
Jabari Evans. (2020) Connecting Black youth to critical media literacy through hip hop making in the music classroom. Journal of Popular Music Education 4:3, pages 277-293.
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Shaun M. Anderson. (2019) United We Stand, Divided We Kneel: Examining Perceptions of the NFL Anthem Protest on Organizational Reputation. Communication & Sport 8:4-5, pages 591-610.
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Lakeyta M. Bonnette-Bailey, Ray Block & Harwood K. McClerking. (2019) IMAGINING A BETTER WORLD:. Du Bois Review: Social Science Research on Race 15:02, pages 353-385.
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Jamie Steele. 2018. Nationalism in Contemporary Western European Cinema. Nationalism in Contemporary Western European Cinema 97 124 .
Pamela M. Hunt. 2017. The Cambridge Handbook of Sociology. The Cambridge Handbook of Sociology 304 310 .
Alexandrine Boudreault-Fournier & Laurent K. Blais. (2016) La comète Piu Piu. Anthropologie et Sociétés 40:1, pages 103-123.
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Scott Appelrouth & Crystal Kelly. (2013) Rap, Race and the (Re)Production of Boundaries. Sociological Perspectives 56:3, pages 301-326.
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Suzanne Marie Enck & Blake A. McDaniel. (2012) Playing With Fire: Cycles of Domestic Violence in Eminem and Rihanna's “Love the Way You Lie”. Communication, Culture & Critique 5:4, pages 618-644.
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William G. RoyTimothy J. Dowd. (2010) What Is Sociological about Music?. Annual Review of Sociology 36:1, pages 183-203.
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Ronald WeitzerCharis E. Kubrin. (2009) Misogyny in Rap Music. Men and Masculinities 12:1, pages 3-29.
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Usama Kahf. (2007) Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre. Journal of Popular Music Studies 19:4, pages 359-385.
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Sarah DiamondRey Bermudez & Jean Schensul. (2016) What’s the Rap About Ecstasy?. Journal of Adolescent Research 21:3, pages 269-298.
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Charis E. Kubrin. (2016) “I See Death around the Corner”: Nihilism in Rap Music. Sociological Perspectives 48:4, pages 433-459.
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CHARIS E. KUBRIN. (2005) Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music. Social Problems 52:3, pages 360-378.
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Timothy J. Dowd, Kathleen Liddle & Maureen Blyler†. 2005. Transformation in Cultural Industries. Transformation in Cultural Industries 81 123 .
Timothy J. Dowd. (2004) Production perspectives in the sociology of music. Poetics 32:3-4, pages 235-246.
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. (2002) Recent Scholarship. Journal of American History 89:1, pages 338-393.
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