Citations (12)
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Read on this site (7)
Katherine Graham. (2022) The play of light: rethinking mood lighting in performance. Studies in Theatre and Performance 42:2, pages 139-155.
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Katherine Graham. (2020) Between material and perception: towards an aesthetics of scenography. Theatre and Performance Design 6:1-2, pages 9-25.
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Sos Eltis. (2019) “A class act: Constance Lytton and the political, literary and dramatic dynamics of suffrage prison writings”. Feminist Modernist Studies 2:1, pages 1-20.
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David Overend & Jamie Lorimer. (2018) Wild Performatives: Experiments in Rewilding at the Knepp Wildland Project. GeoHumanities 4:2, pages 527-542.
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Mark Robson. (2016) Smell me! Adapting to Kafka’s Monkey. Studies in Theatre and Performance 36:1, pages 3-16.
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James Hudson. (2013)
Blasted at the Queens Hotel: Coincidence of sign and site. Performance Research 18:3, pages 32-37.
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Stephen Bottoms. (2010) Silent partners: actor and audience in Geese Theatre's Journey Woman
. Research in Drama Education: The Journal of Applied Theatre and Performance 15:4, pages 477-496.
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Articles from other publishers (5)
Clare Wallace. 2021. Affects in 21st-Century British Theatre. Affects in 21st-Century British Theatre
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Amy Cook. 2020. Shakespearean Futures. Shakespearean Futures.
Frances Babbage. 2018. Contemporary Gothic Drama. Contemporary Gothic Drama
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Rose BigginRose Biggin. 2017. Immersive Theatre and Audience Experience. Immersive Theatre and Audience Experience
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Stephen Bottoms. 2016. Twenty-First Century Drama. Twenty-First Century Drama
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