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Performance Research
A Journal of the Performing Arts
Volume 14, 2009 - Issue 1: Performing Literatures
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Original Articles

Authorizing the Audience: The conceptual drama of Tim Crouch

Stephen BottomsCorrespondence[email protected]
Pages 65-76 | Published online: 10 Mar 2010

Citations (15)

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Read on this site (6)

Andreas Papapetrou. (2019) The Use of the Harp in Experimental Music: The Composition and Performances of Spindle for Harpist and Assisting Performers. Contemporary Music Review 38:6, pages 593-608.
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Monica Prendergast. (2019) Generosity in performance. NJ 43:2, pages 100-113.
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Michael Pinchbeck. (2018) Open Your Eyes. Performance Research 23:1, pages 113-116.
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Wendy Hubbard. (2013) Falling Faint. Performance Research 18:4, pages 22-29.
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Cormac Power. (2012) The Space of Doubt: The Chairs and the aesthetics of failure. Performance Research 17:1, pages 68-76.
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David Lane. (2010) A Dramaturg's perspective: Looking to the future of script development. Studies in Theatre and Performance 30:1, pages 127-141.
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Articles from other publishers (9)

Clare Wallace. 2021. Affects in 21st-Century British Theatre. Affects in 21st-Century British Theatre 43 61 .
Mesut GÜNENÇ & Enes KAVAK. (2020) TRANSPLANTATION AND EXPLOITATION IN TIM CROUCH’S ENGLANDTIM CROUCH’UN ENGLAND OYUNUNDA TRANSPLANTASYON VE SÖMÜRÜ. Uluslararası Dil Edebiyat ve Kültür Araştırmaları Dergisi 3:2, pages 292-301.
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Ramunė Balevičiūtė & Milda Sokolovaitė. (2018) Kaip meniniai tyrimai gali padėti atsakyti į auditorijų įsitraukimo klausimus?. Informacijos mokslai:84, pages 4.
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Karen Savage & Justin Smith. 2018. Staging Loss. Staging Loss 37 58 .
Kai Roland Green. (2017) Attempts on (writing) her life: ethics and ontology in pro-feminist playwriting.. Performance Philosophy 2:2, pages 286.
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Ondřej PilnýOndřej Pilný. 2016. The Grotesque in Contemporary Anglophone Drama. The Grotesque in Contemporary Anglophone Drama 131 161 .
Stephen Bottoms. 2016. Twenty-First Century Drama. Twenty-First Century Drama 59 80 .
Adam AlstonAdam Alston. 2016. Beyond Immersive Theatre. Beyond Immersive Theatre 145 181 .
Adam AlstonAdam Alston. 2016. Beyond Immersive Theatre. Beyond Immersive Theatre 35 73 .

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