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Performance Research
A Journal of the Performing Arts
Volume 14, 2009 - Issue 2: On Training
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Original Articles

Of Pounds of Flesh and Trojan Horses: Performer training in the twenty-first century

Frank CamilleriCorrespondence[email protected]
Pages 26-34 | Published online: 03 Nov 2009

Citations (15)

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Read on this site (10)

Kieran Sellars. (2020) ‘I’ve been as intimate with him as I have been with anybody’: queer approaches, encounters and exchanges as live art performer training. Theatre, Dance and Performance Training 11:2, pages 168-180.
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Frank Camilleri. (2020) From bodymind to bodyworld: the case of mask work as a training for the senses. Theatre, Dance and Performance Training 11:1, pages 25-39.
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Stefan Aquilina. (2019) Cultural transmission of actor training techniques: a research project. Theatre, Dance and Performance Training 10:1, pages 4-20.
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Frank Camilleri. (2018) On habit and performer training. Theatre, Dance and Performance Training 9:1, pages 36-52.
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Frank Camilleri. (2015) Towards the study of actor training in an age of globalised digital technology. Theatre, Dance and Performance Training 6:1, pages 16-29.
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Micha Espinosa. (2014) Teaching in Cuba: a voice teacher’s awakening to the effects of commodification on the learning process. Voice and Speech Review 8:2, pages 157-168.
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Maria Kapsali. (2014) Editorial. Theatre, Dance and Performance Training 5:2, pages 103-106.
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Maria Kapsali. (2013) Rethinking actor training: training body, mind and … ideological awareness. Theatre, Dance and Performance Training 4:1, pages 73-86.
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Stefan Aquilina. (2012) Stanislavsky and the impact of studio ethics on everyday life. Theatre, Dance and Performance Training 3:3, pages 302-314.
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Juanita Finestone-Praeg. (2010) Intimate revolts—some approaches towards pedagogy and performer training in Physical Theatre: In conversation with First Physical Theatre Company's Artistic Director: Gary Gordon. South African Theatre Journal 24:1, pages 29-40.
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Articles from other publishers (5)

Gábor Viktor Kozma. (2022) Actor Training as a Method of Directors. Training in Context of the Odin Teatret’s Creative Work and Higher Education. Studia Universitatis Babeş-Bolyai Dramatica 67:2, pages 29-45.
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Annouchka C. Bayley. 2016. Education, Theory and Pedagogies of Change in a Global Landscape. Education, Theory and Pedagogies of Change in a Global Landscape 62 86 .
Victoria Perselli. 2016. Education, Theory and Pedagogies of Change in a Global Landscape. Education, Theory and Pedagogies of Change in a Global Landscape 1 30 .
Frank Camilleri. (2015) Of Hybrids and the Posthuman: Performer Training in the 21st Century. TDR/The Drama Review 59:3, pages 108-122.
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Frank Camilleri. (2013) Between Laboratory and Institution: Practice as Research in No Man's Land. TDR/The Drama Review 57:1, pages 152-166.
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