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Performance Research
A Journal of the Performing Arts
Volume 2, 1997 - Issue 1: Letters From Europe
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Original Articles

Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s

Kathy O'Dell
Pages 73-81 | Published online: 29 Sep 2014

Citations (9)

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Read on this site (3)

Celia Vara. (2021) Somatic Ways of Knowing: Fina Miralles’ earliest practices of sensorial perception. Performance Research 26:3, pages 80-87.
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Robin Deacon. (2016) Rethinking Privacy. Performance Research 21:6, pages 114-119.
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Jess Allen. (2010) Depth‐charge in the archive: the documentation of performance revisited in the digital age. Research in Dance Education 11:1, pages 61-70.
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Articles from other publishers (6)

J. Cabelle Ahn. (2023) Tokenized and Tactile: Frank Stella’s Geometries (2022). Arts 12:6, pages 222.
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Garrett Lynch IRL. (2020) I’m Garrett Lynch (IRL). Scene 8:1, pages 213-228.
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Véronique Chance. (2020) The Great Orbital Run (or the M25 in 4000 Images). Arts 9:1, pages 8.
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Harriet Hawkins. (2019) (W)holes – Volume, horizon, surface – Three intimate geologies. Emotion, Space and Society 32, pages 100583.
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Angela Bartram. 2018. Critical Distance in Documentary Media. Critical Distance in Documentary Media 109 128 .
Philip Auslander. (2006) The Performativity of Performance Documentation. PAJ: A Journal of Performance and Art 28:3, pages 1-10.
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