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Laterality
Asymmetries of Brain, Behaviour, and Cognition
Volume 15, 2010 - Issue 4
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Original Articles

The relation between lateralisation, early start of training, and amount of practice in musicians: A contribution to the problem of handedness classification

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Pages 385-414 | Received 18 Jun 2008, Accepted 10 Mar 2009, Published online: 21 May 2009

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (2)

Birgitta Burger & Clemens Wöllner. (2023) The challenge of being slow: Effects of tempo, laterality, and experience on dance movement consistency. Journal of Motor Behavior 55:6, pages 550-563.
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Maria Rönnefarth, Rouven Bathe-Peters, Andreas Jooss, Linus Haberbosch, Michael Scholz, Sein Schmidt & Stephan A. Brandt. (2019) Force Increase in a Repetitive Motor Task Inducing Motor Fatigue. Journal of Motor Behavior 51:4, pages 406-415.
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Articles from other publishers (12)

Lottie Anstee, Daniel Müllensiefen & Peter Harrison. (2023) Handedness and Musicality in Secondary School Students. Music Perception: An Interdisciplinary Journal 40:5, pages 373-394.
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Kazuaki Honda & Shinya Fujii. (2022) Tapping Performance of Professional and Amateur Darbuka Players. Frontiers in Psychology 13.
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Eline Adrianne Smit & Makiko Sadakata. (2018) The effect of handedness on spatial and motor representation of pitch patterns in pianists. PLOS ONE 13:5, pages e0195831.
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Mei Rui, Jeffrey E. Lee, Jean-Nicolas Vauthey & Claudius Conrad. (2018) Enhancing surgical performance by adopting expert musicians' practice and performance strategies. Surgery 163:4, pages 894-900.
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Clare Porac. 2016. Laterality. Laterality 157 177 .
Shinichi Furuya, Takanori Oku, Fumio Miyazaki & Hiroshi Kinoshita. (2015) Secrets of virtuoso: neuromuscular attributes of motor virtuosity in expert musicians. Scientific Reports 5:1.
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Theodor Rüber, Robert Lindenberg & Gottfried Schlaug. (2015) Differential Adaptation of Descending Motor Tracts in Musicians. Cerebral Cortex 25:6, pages 1490-1498.
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Reinhard Kopiez, Friedrich Platz, Silvia Müller & Anna Wolf. (2013) When the pulse of the song goes on: Fade-out in popular music and the pulse continuity phenomenon. Psychology of Music 43:3, pages 359-374.
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Friedrich Platz, Reinhard Kopiez, Andreas C. Lehmann & Anna Wolf. (2014) The influence of deliberate practice on musical achievement: a meta-analysis. Frontiers in Psychology 5.
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Michael Oehler & Christoph Reuter. (2013) The octave illusion and handedness: A replication of Deutsch’s 1974 study. Musicae Scientiae 17:3, pages 277-289.
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Diana Deutsch. (2013) Commentary on “The octave illusion and handedness: A replication of Diana Deutsch’s 1974 study”. Musicae Scientiae 17:3, pages 290-292.
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Reinhard Kopiez, Hans-Christian Jabusch, Niels Galley, Jan-Christoph Homann, Andreas C. Lehmann & Eckart Altenmüller. (2011) No disadvantage for left-handed musicians: The relationship between handedness, perceived constraints and performance-related skills in string players and pianists. Psychology of Music 40:3, pages 357-384.
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