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Information, Communication & Society Volume 15, 2012 - Issue 8
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ARTICLES

CULTURAL PRODUCTION AND THE DIGITAL RIGHTS MOVEMENT

Framing the right to participate in culture

Hector Postigo Department of Broadcasting Telecommunications and Mass Media, Temple University, 2020 North 13th Street, Annenberg Hall, Philadelphia, USACorrespondence[email protected]
Pages 1165-1185 | Received 01 Nov 2010, Accepted 01 Mar 2011, Published online: 14 Jun 2011

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Ankita Chatterjee. (2021) Majoritarianism and digital rights: understanding Kashmir and the ‘Othering of Other’ in the context of India. Visual Studies 0:0, pages 1-11.
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Murray Goulden. (2021) ‘Delete the family’: platform families and the colonisation of the smart home. Information, Communication & Society 24:7, pages 903-920.
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Brett G. Johnson & Caroline Dade. (2019) Local broadcast journalism, user-generated content and boundary work. Media Practice and Education 20:3, pages 260-276.
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Gabriel Menard. (2016) Copyright, digital sharing, and the liberal order: sociolegal constructions of intellectual property in the era of mass digitization. Information, Communication & Society 19:8, pages 1061-1076.
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Lee Edwards, Bethany Klein, David Lee, Giles Moss & Fiona Philip. (2015) Discourse, justification and critique: towards a legitimate digital copyright regime?. International Journal of Cultural Policy 21:1, pages 60-77.
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Articles from other publishers (2)

Tuukka Lehtiniemi & Jesse Haapoja. (2019) Data agency at stake: MyData activism and alternative frames of equal participation. New Media & Society 22:1, pages 87-104.
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Cornelius Puschmann & Jean Burgess. (2013) The Politics of Twitter Data. SSRN Electronic Journal.
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