Citations: The Indian Partition and the Making of a New Scopic Regime in Bengali Cinema

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Shrija Srinivasan & Sushila Shekhawat. (2022) India In-Between: Culture and Nation Representation in Jean Renoir’s Film the River (1951). Quarterly Review of Film and Video 39:2, pages 289-307.
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Sayandeb Chowdhury. (2017) A postcolonial iconi-city: Re-reading Uttam Kumar’s cinema as metropolar melodrama. South Asian History and Culture 8:2, pages 171-185.
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