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Poetics and Partition

The Indian Partition and the Making of a New Scopic Regime in Bengali Cinema

References

Films

  • Son of the Soil [Dharti Ke Lal]. Dir. Khwaja Ahmad Abbas. IPTA Pictures, 1946. Film.
  • Babla [Babla]. Dir. Agradoot. 1951 Film.
  • Manhattan. Dir. Woody Allen. Jack Rollins & Charles H. Joffe Productions, 1979. Film
  • The City Below [Neecha Nagar]. Dir. Chetan Anand. India Pictures, 1946. Film.
  • City Lights. Dir. Charles Chaplin. Charles Chaplin Productions, 1931. Film
  • Modern Times. Dir. Charles Chaplin. Charles Chaplin Productions, 1936. Film
  • They Live That Side [Ora Thake Odhare]. Dir Sukumar Dasgupta. SM Productions, 1954. Film.
  • The Citizen [Nagarik]. Dir Ritwik Ghatak. Film Guild, 1952. Film.
  • Meghe Dhaka Tara [The Cloud-Capped Star] Dir. Ritwik Ghatak. Chitrakalpa, 1960. Film.
  • E-Flat [Komal Gandhar] Dir. Ritwik Ghatak. Chitrakalpa, 1961. Film.
  • The Golden Thread [Subarnarekha]. Dir Ritwik Ghatak, JJ Films, 1965. Film.
  • The Rootless [Chhinnamul]. Dir. Nemai Ghosh. 1951. Film.
  • Breathless. Dir. Jean-Luc Godard. Les Films Impéria et al. 1960. Film
  • ‘42 [Beyallish] Dir. Hemen Gupta. Film Trust of India, 1949. Film.
  • Day After Day [Diner Pore Din] Dir. Jyotirmoy Ray. Lokbani Chitra Pratisthan, 1949. Film
  • The Third Man. Dir. Carol Reed. Carol Reed’s Production, 1949. Film
  • Rome Open City. Dir. Roberto Rosselini. Excelsa Film, 1945. Film
  • Towards the Light [Udayer Pathe]. Dir. Bimal Roy. New Theatres, 1944. Film.
  • Berlin: Symphony of a City. Dir. Walter Ruttman. Deutsche Vereins-Film, 1927. Film
  • Blade Runner. Dir. Ridley Scott. Warner Bros et al, 1982. Film
  • Bicycle Thieves. Dir. Vittorio de Sica. Produzioni De Sica, 1948. Film
  • Playtime. Dir. Jacques Tati. Jolly Film & Specta Films, 1967. Film
  • Man with a Movie Camera. Dir. Dziga Vertov. VUFKU. 1929. Film

Texts

  • Bachelard, Gaston (1969). The Poetics of Space. Trans. Maria Jolas. Boston, MA: Beacon Press.
  • Bandyopadhyay, Sibaji (2012). Sibaji Bandyopadhyay Reader. NewDelhi: Worldview Publications.
  • Barber, Stephen (2004). Projected Cities: Cinema and Urban Space. London: Reaktion Books.
  • Bhattacharya, Malini (1979). ‘Nagarik: RitwikGhatak’s First Film.’ Social Scientist 8.3: 60–63.
  • Benjamin, Walter (1999). The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Boston, MA: Harvard University Press.
  • Biswas, Moinak (2000). ‘The Couple and Their Spaces, Harano Sur as Melodrama Now.’ Meaning Making in Indian Cinema. Ed. Ravi Vasudevan. New Delhi : OUP.
  • Biswas, Moinak (2007). ‘The City and the Real: Chhinnamul and the Left Cultural Movement in the 1990s.’City Flicks: Indian Cinema and the Urban Experience. Ed. Preben Kaarsholm. Calcutta: Seagull Books. 40–59.
  • Bruno, Giuliana (2002). Atlas of Emotion. London: Verso.
  • Clarke, David, ed. (1997). The Cinematic City. London: Routledge.
  • Dasgupta, Chidananda (1985). ‘Cinema, Marxism, and the Mother Goddess.’ India International Centre Quarterly 12.3: 249–264.
  • de Certeau, Michel (1992). The Writing of History. Trans. Tom Conley. New York, NY: Columbia University Press.
  • Martin, Jay (1988). ‘Scopic Regimes of Modernity.’ Vision and Visuality Ed. Hal Wallis. Seattle, WA: Bay Press. 3–23.
  • Lefebvre, Henry (1991). The Production of Space. Trans. Donald Nicholson-Smith. London: Blackwell.
  • Mennel, Barbara (2008). Cities and Cinema. London: Routledge.
  • Nora, Pierre (1989). ‘Between Memory and History: Les Lieux de Mémoire.’ Trans. Marc Roudebush. Representations 26: 7–24.
  • Rajadyyaksha, Ashish (1982). A Return to the Epic. Bombay: Screen Unit.
  • Rancière, Jacques (2013). Aisthesis: Scenes from the Aesthetic Regime of Art. Trans. Zakir Paul. London: Verso.
  • O’ Donnell, Erin (2011). ‘The IPTA on Film: Contesting memory and history in the Bengali theaterscapes of Ritwik Ghatak’s Komal Gandhar (E Flat, 1961).’ South Asian Cinemas: Widening the Lens. Eds Sara Dickey and Rajinder Dudrah. London: Routledge. 54–68.
  • Sarkar, Bhaskar (2010). Mourning the Nation: Indian Cinema in the Wake of Partition. New Delhi: Orient Blackswan.
  • Shiel, Mark, and Fitzmaurice, Tony, eds (2011). Cinema and the City: Film and Urban Societies in a Global Context. Oxford: Blackwell.
  • Soja, Edward (1989). Postmodern Geographies: The Reassertion of Space in Critical Social Theory. London: Verso.
  • Webber, Andrew, and Wilson, Emma, eds (2007). Cities in Transition: The Moving Image and the Modern Metropolis. New York, NY: Wallflower Press.

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