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Original Articles

A Bit Much

Spectacle as discursive resistance

Pages 65-81 | Published online: 15 Aug 2006

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (3)

David C. Oh & Anna Wong Lowe. (2017) Spectacles in hybrid Japan: Deconstruction, semiotic excess, and obtuse meanings in Lost in Translation . Journal of International and Intercultural Communication 10:2, pages 153-167.
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Robin Means Coleman. (2011) “Roll up your sleeves!”. Feminist Media Studies 11:1, pages 35-41.
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Michelle Stack. (2008) SPECTACLE AND SYMBOLIC SUBVERSION. Journal of Children and Media 2:2, pages 114-128.
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Articles from other publishers (6)

David C. Oh. (2017) “Turning Japanese”: Deconstructive Criticism of White Women, the Western Imagination, and Popular Music. Communication, Culture & Critique 10:2, pages 365-381.
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Katrin HornKatrin Horn. 2017. Women, Camp, and Popular Culture. Women, Camp, and Popular Culture 111 192 .
Katrin HornKatrin Horn. 2017. Women, Camp, and Popular Culture. Women, Camp, and Popular Culture 1 13 .
Murali Balaji. (2008) Vixen Resistin’. Journal of Black Studies 41:1, pages 5-20.
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Murali Balaji. (2009) Owning Black Masculinity: The Intersection of Cultural Commodification and Self-Construction in Rap Music Videos. Communication, Culture & Critique 2:1, pages 21-38.
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Margaret E. Farrar & Jamie L. Warner. (2006) Rah-Rah-Radical: The Radical Cheerleaders' Challenge to the Public Sphere. Politics & Gender 2:03.
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