Citations (48)
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Courtney J. Dreyer. (2023) (Eco)horror of Masculinity: Confronting Abject Nature in the Films of Robert Eggers. Southern Communication Journal 0:0, pages 1-12.
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Nicholas S. Paliewicz & Emma Frances Bloomfield. (2023) Of Markets, Masks, and (White) Men: Mimetic Performances of Parasitic Publicity During the COVID-19 Pandemic. Women's Studies in Communication 46:1, pages 65-86.
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Linsay M. Cramer, Gabriel A. Cruz & Andrew R. Donofrio. (2023) Perpetual and Pleasurable Marginality: White Masculine Victimhood Appropriation and Black Masculine Sacrifice in Marvel’s Netflix Series The Punisher. Howard Journal of Communications 34:1, pages 59-75.
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Max Dosser. (2022) I’m gonna wreck it, again: the false dichotomy of “healthy” and “toxic” masculinity in Ralph Breaks the Internet. Critical Studies in Media Communication 39:4, pages 333-346.
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Dora Valkanova. (2022) White masculinity in the “New Cold War”: reading Rocky IV and White Nights as multidirectional memories. Critical Studies in Media Communication 39:4, pages 319-332.
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Sebastiaan Gorissen. (2021) Contesting Hegemonic Masculinity Through Profeminist Passing on The Police’s Outlandos d’Amour. Women's Studies in Communication 44:4, pages 586-610.
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Bryan J. McCann. (2021) Duplicity and the Depraved Uncanny in Mediations of Ted Bundy. Women's Studies in Communication 44:3, pages 340-359.
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Jennifer Marie Rome. (2021) Blogging Wounded Manhood: Negotiating Hegemonic Masculinity and the Crisis of the Male (In)fertile Body. Women's Studies in Communication 44:1, pages 44-64.
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Katherine D. Lind. (2020) Flipping the Script: Developing an Intertextual Dialogue for Dolphin Advocacy in The Cove. Environmental Communication 14:5, pages 628-640.
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Casey Ryan Kelly & Ryan Neville-Shepard. (2020) Virgin Lands: Gender, Nature, and the Frontier Myth in David Magnusson’s Purity. Women's Studies in Communication 43:1, pages 1-22.
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Dominic Manthey. (2020) A Violent Peace and America’s Copperhead Legacy. Rhetoric Society Quarterly 50:1, pages 3-18.
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Jason Andrew Bartashius. (2019) White Samurai in a fascistic house of mirrors: Fight Club, Zen and the art of (Re)constructing ethno-nationalism. Culture and Religion 20:4, pages 351-370.
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Jenna N. Hanchey. (2019) Doctors Without Burdens: The Neocolonial Ambivalence of White Masculinity in International Medical Aid. Women's Studies in Communication 42:1, pages 39-59.
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Shui-yin Sharon Yam. (2019) Birth Images on Instagram: The Disruptive Visuality of Birthing Bodies. Women's Studies in Communication 42:1, pages 80-100.
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Jeremy De Chavez. (2018) The Political Subject Is a Lover Not a Fighter: Reading Chuck Palahniuk’s Fight Club as a Love Story. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 31:2, pages 123-131.
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Jeffrey S. Podoshen, Susan A. Andrzejewski, Jason Wallin & Vivek Venkatesh. (2018) Consuming abjection: an examination of death and disgust in the black metal scene. Consumption Markets & Culture 21:2, pages 107-128.
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Paul Elliott Johnson. (2017) The Art of Masculine Victimhood: Donald Trump’s Demagoguery. Women's Studies in Communication 40:3, pages 229-250.
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Casey Ryan Kelly. (2017) It Follows: precarity, thanatopolitics, and the ambient horror film. Critical Studies in Media Communication 34:3, pages 234-249.
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Paul Elliott Johnson. (2017) Walter White(ness) lashes out: Breaking Bad and male victimage. Critical Studies in Media Communication 34:1, pages 14-28.
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Casey Ryan Kelly. (2016) Camp Horror and the Gendered Politics of Screen Violence: Subverting the Monstrous-Feminine in Teeth (2007). Women's Studies in Communication 39:1, pages 86-106.
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Urther Rwafa. (2016) Culture and Religion as Sources of Gender Inequality: Rethinking Challenges Women Face in Contemporary Africa. Journal of Literary Studies 32:1, pages 43-52.
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Henrik Hvenegaard Mikkelsen & Thomas Friis Søgaard. (2015) Violent potentials: exploring the intersection of violence and masculinity among the Bugkalot. NORMA 10:3-4, pages 281-294.
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Jessica M. Prody. (2015) Protesting War and Hegemonic Masculinity in Music Videos: Audioslave's “Doesn't Remind Me”. Women's Studies in Communication 38:4, pages 440-461.
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Urther Rwafa. (2015) (Re)inventing African oral traditions and national heritage(s) through film images: The case of Keita! The Heritage of the Griot [1995] and Kare Kare Zvako: Mother's Day [2004]. Communicatio 41:4, pages 459-470.
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Leslie A. Hahner, Scott J. Varda & Nathan A. Wilson. (2013)
Paranormal activity and the Horror of Abject Consumption. Critical Studies in Media Communication 30:5, pages 362-376.
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Tracey
Owens Patton & Julie Snyder-Yuly. (2012) Roles, Rules, and Rebellions: Creating the Carnivalesque through the Judges' Behaviors on America's Next Top Model
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Ross Singer. (2011) Anti-Corporate Argument and the Spectacle of the Grotesque Rhetorical Body in Super Size Me
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Articles from other publishers (21)
Meredith Neville-Shepard. (2021) Masks and Emasculation: Populist Crisis Rhetoric and the 2020 Presidential Election. American Behavioral Scientist 68:1, pages 97-111.
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Alparslan Nas. (2021) The Cultural Limits of Challenging Hegemonic Masculinity: Critical Analysis of Online Responses to Axe Turkey Advertisements. Sociální studia / Social Studies 18:2, pages 67-86.
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Helene A Shugart. (2021) The Ugly Truth: Abject Corporeality as Political Authenticity. Communication Theory 31:3, pages 277-296.
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Suzanne Marie Enck & Blake A. McDaniel. (2012) Playing With Fire: Cycles of Domestic Violence in Eminem and Rihanna's “Love the Way You Lie”. Communication, Culture & Critique 5:4, pages 618-644.
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Joshua Daniel Phillips. (2012) Engaging Men and Boys in Conversations About Gender Violence: <i>Voice Male</i> Magazine Using Vernacular Rhetoric as Social Resistance. The Journal of Men's Studies 20:3, pages 259-273.
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