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Original Articles

The Construction of “Street Credibility” in Atlanta's Hip-Hop Music Scene: Analyzing the Role of Cultural Gatekeepers

Pages 313-330 | Received 30 Jan 2010, Accepted 20 Dec 2011, Published online: 04 Jul 2012

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Read on this site (2)

Corey J. Miles. (2022) Listening to the video: Hip Hop videography and Rural Black Aesthetics. Cultural Studies 0:0, pages 1-24.
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Brooke E. King & Doris Pierce. (2020) “Music is life”: Identity, challenge, and passion in the occupational patterns of male young adult rock musicians. Journal of Occupational Science 27:2, pages 204-215.
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Articles from other publishers (6)

Timo Koren. (2023) “They were told it was too Black”: The spatial dynamics of whiteness in geographies of Amsterdam-based nightclubs. Geoforum 140, pages 103698.
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Ariel Sanders, Barbara J. Phillips & David E. Williams. (2021) Sound sellers: musicians' strategies for marketing to industry gatekeepers. Arts and the Market 12:1, pages 32-51.
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Adeerya Johnson. (2021) Dirty South Feminism: The Girlies Got Somethin’ to Say Too! Southern Hip-Hop Women, Fighting Respectability, Talking Mess, and Twerking Up the Dirty South. Religions 12:11, pages 1030.
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Nicola Bozzi. 2021. Theorizing Criminality and Policing in the Digital Media Age. Theorizing Criminality and Policing in the Digital Media Age 69 88 .
Robert A. Roks. 2021. Crime and Music. Crime and Music 271 285 .
Michael Ahlers, Martin Lücke & Matthias Rauch. 2019. Musik und Straße. Musik und Straße 1 7 .

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