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New Review of Film and Television Studies Volume 13, 2015 - Issue 1: Cult Cinema and Technological Change
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Cult cinema and the ‘mainstreaming’ discourse of technological change: revisiting subcultural capital in liquid modernity

Matt HillsDepartment of Theatre, Film & Television Studies, Aberystwyth University, Aberystwyth, UKCorrespondence[email protected]
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Pages 100-121 | Published online: 10 Dec 2014

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Read on this site (1)

Matt Hills. (2017) Transnational cult and/as neoliberalism: the liminal economies of anime fansubbers. Transnational Cinemas 8:1, pages 80-94.
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Articles from other publishers (7)

Marie Heřmanová. (2023) Authentic cult: media representations of cultural consumption and legitimization of cultural hierarchies. Media, Culture & Society.
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Jessica Balanzategui & Andrew Lynch. (2022) “Shudder” and the Aesthetics and Platform Logics of Genre-Specific SVOD services. Television & New Media 24:2, pages 156-172.
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Matt Hills. 2021. Investigating Stranger Things. Investigating Stranger Things 189 207 .
Jan Weckwerth. 2020. Film als Kunst der Gesellschaft. Film als Kunst der Gesellschaft 83 105 .
Matt Hills. (2019) When the Pet Shop Boys were ‘imperial’: Fans’ self-ageing and the neoliberal life course of ‘successful’ text-ageing. Journal of Fandom Studies, The 7:2, pages 151-167.
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Eve Ng. (2018) Contesting the Queer Subfield of Cultural Production: Paratextual Framings of Carol and Freeheld . Journal of Film and Video 70:3-4, pages 8-23.
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E. W. Nikdel. 2017. Cult Media. Cult Media 105 123 .

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