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Ethnomusicology Forum Volume 28, 2019 - Issue 1
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Articles

Amiguismo: capitalism, sociality, and the sustainability of indie music in Santiago, Chile

Shannon GarlandDepartment of Ethnomusicology, University of California, Los Angeles, CA, USACorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0003-0617-8240View further author information
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Pages 26-44 | Published online: 07 Jun 2019

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Read on this site (4)

Joshua O. Brew. (2023) Music career and sustainability: the strategies of a hiplife musician. Ethnomusicology Forum 32:2, pages 183-200.
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David Verbuč. (2023) ‘A whole society, with its own economic system’: the reciprocal and capitalist configurations of American DIY music scenes. Ethnomusicology Forum 32:1, pages 5-27.
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Shannon Garland. (2020) No love without conflict: rights to the city, cultural activism, and the ‘irony of affect’ in São Paulo, Brazil. Culture, Theory and Critique 61:2-3, pages 283-302.
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Eric J. Schmidt. (2019) Arid fidelity, reluctant capitalists: salvage, curation, and the circulation of Tuareg music on independent record labels. Ethnomusicology Forum 28:3, pages 260-282.
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Articles from other publishers (3)

Ali FitzGibbon & Ioannis Tsioulakis. (2022) Making it up: Adaptive approaches to bringing freelance cultural work to a cultural ecologies discourse. European Urban and Regional Studies 29:4, pages 461-478.
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Deonte L. Harris. (2022) On Race, Value, and the Need to Reimagine Ethnomusicology for the Future. Ethnomusicology 66:2, pages 213-235.
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Alex W. Rodríguez. (2020) Making the Hang in Chile at Thelonious, Lugar de Jazz. Jazz and Culture 3:1, pages 45-70.
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