619
Views
7
CrossRef citations to date
0
Altmetric
Articles

Amiguismo: capitalism, sociality, and the sustainability of indie music in Santiago, Chile

ORCID Icon

References

  • Appadurai, Arjun. 1986. ‘Introduction: Commodities and the Politics of Value’. In The Social Life of Things: Commodities in Cultural Perspective, edited by Arjun Appadurai, 3–63. Cambridge: Cambridge University Press.
  • Arriagada, Arturo and Victor Cruz. 2014. ‘Music Fans as Mediators in the Age of Digital Reproduction’. In The Ashgate Research Companion to Fan Cultures, edited by Linda Duits, Koos Zwaan, and Stijn Reijnders, 149–62. Farnham, Surrey; Burlington, VT: Routledge Handbooks Online.
  • Dávila, Arlene M. 2012. Culture Works : Space, Value, and Mobility across the Neoliberal Americas. New York: New York University Press.
  • Doveris, Roberto. 2009. ‘Astro’. Super 45. June 5, 2009. https://super45.cl/articulos/atencion-con/astro/.
  • Dueck, Byron. 2013. Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance. Providence, RI: Oxford University Press USA.
  • Elyachar, Julia. 2010. ‘Phatic Labor, Infrastructure, and the Question of Empowerment in Cairo’. American Ethnologist 37(3): 452–64. doi: 10.1111/j.1548-1425.2010.01265.x
  • Florida, Richard L. 2002. The Rise of the Creative Class : And How It’s Transforming Work, Leisure, Community and Everyday Life. New York: Basic Books.
  • Gago, Verónica. 2017. Neoliberalism from below : Popular Pragmatics and Baroque Economies. Durham: Duke University Press.
  • García-Canclini, Néstor. 2001. Culturas Híbridas: Estratégias para Entrar y Salir da la Modernidad. Buenos Aires: Editorial Paidós.
  • Garland, Shannon. 2009. ‘The New, the Hip and the Far Away: Indie Media and Live Performance in New York City and Santiago, Chile’. Unpublished Masters, Columbia University, New York.
  • Garland, Shannon. 2014. Music, Affect, Labor, and Value : Late Capitalism and the (Mis)Productions of Indie Music in Chile and Brazil. New York: Columbia University Academic Commons.
  • González, Juan Pablo. 2011. ‘Posfolklore: Raíces y globalización en la música popular chilena’. Arbor 187(751): 937–46. doi: 10.3989/arbor.2011.751n5010
  • Graeber, David. 2001. Toward an Anthropological Theory of Value : The False Coin of Our Own Dreams. First edition. New York: Palgrave.
  • Graves, Eben. 2017. ‘The Marketplace of Devotional Song: Cultural Economies of Exchange in Bengali Padāvalī-Kīrtan’. Ethnomusicology 61(1): 52–86. doi: 10.5406/ethnomusicology.61.1.0052
  • Guilbault, Jocelyne. 2014. Roy Cape : A Life on the Calypso and Soca Bandstand. Durham: Duke University Press.
  • Habermas, Jürgen. 1991. The Structural Transformation of the Public Sphere: An Inquiry Into a Category of Bourgeois Society. Cambridge, MA: The MIT Press.
  • Hesmondhalgh, David. 1997. ‘Post-Punk’s Attempt to Democratise the Music Industry: The Success and Failure of Rough Trade’. Popular Music 16(3): 255–74. doi: 10.1017/S0261143000008400
  • Hesmondhalgh, David. 1999. ‘Indie: The Institutional Politics and Aesthetics of a Popular Music Genre’. Cultural Studies 13(1): 34–61. doi: 10.1080/095023899335365
  • Keane, Webb. 2005. ‘Signs Are Not the Garb of Meaning: On the Social Analysis of Material Things’. In Materiality, edited by Daniel Miller, 182–205. Durham, NC: Duke University Press Books.
  • Keane, Webb. 2008. ‘Market, Materiality and Moral Metalanguage’. Anthropological Theory 8(1): 27–42. doi: 10.1177/1463499607087493
  • Larkin, Brian. 2008. Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria. Durham: Duke University Press Books.
  • Larkin, Brian. 2013. ‘The Politics and Poetics of Infrastructure’. Annual Review of Anthropology 42(1): 327–43. doi: 10.1146/annurev-anthro-092412-155522
  • Lee, B. and E. LiPuma. 2002. ‘Cultures of Circulation: The Imaginations of Modernity.’ Public Culture 14(1): 191–213.
  • Luker, Morgan James. 2016. The Tango Machine : Musical Culture in the Age of Expediency. London: The University of Chicago Press.
  • Matus, Christián. 2009. ‘Cultura Urbana y Clases Medias Emergentes’. In SCL: Espacios, Prácticas, y Cultura Urbana, edited by Fernando Pérez Oyarzun and Manuel Tironi Rodó, 86–99. Santiago: ARQ Ediciones.
  • Maurer, Bill. 2005. ‘Does Money Matter? Abstraction and Substitution in Alternative Financial Forms’. In Materiality, edited by Daniel Miller, 140–64. Durham, NC: Duke University Press Books.
  • Maurer, Bill. 2006. ‘The Anthropology of Money’. Annual Review of Anthropology 35(1): 15–36. doi: 10.1146/annurev.anthro.35.081705.123127
  • Meintjes, Louise. 2003. Sound of Africa: Making Music Zulu in a South African Studio. Durham, NC: Duke University Press.
  • Miller, Daniel. 2001. ‘Alienable Gifts and Inalienable Commodities’. In The Empire of Things: Regimes of Value and Material Culture, edited by Fred R. Myers, 91–118. Santa Fe, NM: SAR Press.
  • Morcom, Anna. 2015a. ‘Terrains of Bollywood Dance: (Neoliberal) Capitalism and the Transformation of Cultural Economies’. Ethnomusicology 59(2): 288–314. doi: 10.5406/ethnomusicology.59.2.0288
  • Morcom, Anna. 2015b. ‘Locating Music in Capitalism: A View from Exile Tibet’. Popular Music 34(2): 274–95. doi: 10.1017/S0261143015000288
  • Myers, Fred R. 2001. ‘Introduction: The Empire of Things’. In The Empire of Things: Regimes of Value and Material Culture., edited by Fred R. Meyers, 3–64. Santa Fe, NM: SAR Press.
  • Novak, David. 2013. Japanoise : Music at the Edge of Circulation. Durham, NC: Duke University Press.
  • Ochoa, A. M, and C. Botero. 2009. ‘Notes on Practices of Musical Exchange in Colombia’. Popular Communication 7(3): 158–68. doi: 10.1080/15405700903023400
  • Ochoa Gautier, Ana María. 2013. ‘Disencounters Between Music’s Allure and the Expediency of Culture in Colombia’. Latin American Research Review 48(special issue): 12–146. doi: 10.1353/lar.2013.0054
  • Osorio, Javier. 2011. ‘Rock, Dependencia y Apropiación. Los Beat 4 y La Crítica a La Imitación En Los Años Sesenta’. In ¿Qué Hay de Popular En La Música Popular? edited by Adriana Barrueto and Ignacio Ramos, 294–305. Actas Del I Congreso Chileno de Estudios En Música Popular. Santiago de Chile: Asociación Chilena de Estudios en Música Popular.
  • Panes, Andrés. 2012. ‘Amiguismo En El Pop Chileno: La Escena Que Se Celebra a Sí Misma’. POTQ Magazine (blog). https://www.potq.net/articulos/amiguismo-en-el-pop-chileno-la-escena-que-se-celebra-a-si-misma/ (accessed 30 April 2012).
  • Seeger, Anthony. 1987. Why Suyá Sing : A Musical Anthropology of an Amazonian People. New York: Cambridge University Press.
  • Steingo, Gavin. 2015. ‘Sound and Circulation: Immobility and Obduracy in South African Electronic Music’. Ethnomusicology Forum 24(1): 102–23. doi: 10.1080/17411912.2015.1020823
  • Steingo, Gavin. 2016. Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. First edition. Chicago and London: University of Chicago Press.
  • Stobart, Henry. 2006. Music and the Poetics of Production in the Bolivian Andes. Aldershot, Hants, England; Burlington, VT: Ashgate.
  • Taylor, Timothy D. 2016. Music and Capitalism : A History of the Present. Chicago: The University of Chicago Press.
  • Taylor, Timothy D. 2017. Music in the World : Selected Essays. Chicago: The University of Chicago Press.
  • Tsing, Anna Lowenhaupt. 2015. The Mushroom at the End of the World : On the Possibility of Life in Capitalist Ruins. Princeton, NJ: Princeton University Press.
  • Tucker, Joshua. 2013. Gentleman Troubadours and Andean Pop Stars : Huayno Music, Media Work, and Ethnic Imaginaries in Urban Peru. Chicago: The University of Chicago Press.
  • Warner, Michael. 2002. ‘Publics and Counterpublics’. Public Culture 14(1): 49–90. doi: 10.1215/08992363-14-1-49
  • Yúdice, George. 2003. The Expediency of Culture: Uses of Culture in the Global Era. Durham, NC: Duke University Press.
  • Zambra, Darío. 2011. ‘Remodelación Del Barrio Suecia Entra En Tierra Derecha’. La Tercera, 12 June 2011, sec. Santiago.
  • Zambra, Darío. 2013. ‘Barrio Suecia Deja Atrás La Bohemia y Debuta Como Polo de Negocios’. La Tercera, 20 January 2013, sec. Santiago.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.