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Ethnopolitics
Formerly Global Review of Ethnopolitics
Volume 5, 2006 - Issue 3: Transnationalism in the Balkans
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Original Articles

The Politics of Performance: Transnationalism and its Limits in Former Yugoslav Popular Music, 1999–2004

Catherine Baker School of Slavonic and East European Studies, University College London, UKCorrespondence[email protected]
Pages 275-293 | Published online: 30 Nov 2006

Citations (14)

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Read on this site (4)

Dijana Jelača. (2015) Feminine Libidinal Entrepreneurship. Feminist Media Studies 15:1, pages 36-52.
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Catherine Baker. (2010) Popular Music and Political Change in Post-Tuđman Croatia: ‘It's All the Same, Only He's Not Here’?. Europe-Asia Studies 62:10, pages 1741-1759.
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Zala Volčič & Karmen Erjavec. (2010) The Paradox of Ceca and the Turbo-Folk Audience. Popular Communication 8:2, pages 103-119.
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Catherine Baker. (2008) When Seve Met Bregović: Folklore, Turbofolk and the Boundaries of Croatian Musical Identity. Nationalities Papers 36:4, pages 741-764.
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Articles from other publishers (10)

Dave Wilson. (2022) The remembered future: Macedonian pop icon Toše Proeski and musical life after death. Popular Music 41:1, pages 56-82.
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Martina Plantak. (2021) Coca-cola, Marlboro, Suzuki: Turbofolk music as a tool of political propaganda during the 1990s in Serbia. Research in Social Change 12:2, pages 26-41.
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Ana Mijić. (2019) Together divided–divided together: Intersections of symbolic boundaries in the context of ex-Yugoslavian immigrant communities in Vienna. Ethnicities 20:6, pages 1071-1092.
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Ana Petrov. 2020. Made in Yugoslavia. Made in Yugoslavia 111 120 .
Jessica Carniel. 2019. Eurovision and Australia. Eurovision and Australia 213 237 .
Ana Petrov. (2018) Yugonostalgia as a Kind of Love: Politics of Emotional Reconciliations through Yugoslav Popular Music. Humanities 7:4, pages 119.
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Timofey Agarin. (2016) Introduction to the special issue: Citizens’ participation in post-communist Europe. Communist and Post-Communist Studies 49:3, pages 201-206.
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Ana Petrov. (2015) The Songs We Love to Sing and the History We Like to Remember: Tereza Kesovija’s Comeback in Serbia. Southeastern Europe 39:2, pages 192-214.
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Ana Petrov. (2015) Between Two Worlds: Concert-giving and Rioting in the Post-Yugoslav Area. AM Journal of Art and Media Studies:7, pages 39-45.
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Rory Archer. (2012) Assessing Turbofolk Controversies: Popular Music between the Nation and the Balkans. Southeastern Europe 36:2, pages 178-207.
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