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Australian Film Distribution

Proud in the middleground: how the creative industries allow the Melbourne queer film festival to bring queer content to audiences

Pages 129-142 | Received 23 Aug 2014, Accepted 15 Dec 2015, Published online: 16 Feb 2016

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Read on this site (3)

Olga Andreevskikh. (2023) Queering Russian cinema as a community-building practice. Studies in Russian and Soviet Cinema 17:3, pages 154-172.
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Linda Leung. (2016) The Creative Other: Marginalization of and from the Creative Industries. The Journal of Arts Management, Law, and Society 46:4, pages 200-211.
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Articles from other publishers (1)

Jarrett R. Bachman, Feng Feng & John S. Hull. (2022) Resident Impacts for Queer Film Festivals: Assessing Benefits And Loyalty in Vancouver, British Columbia, Canada. Event Management 26:1, pages 107-126.
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