Proud in the middleground: how the creative industries allow the Melbourne queer film festival to bring queer content to audiences

References

• Alvord, Sarah H., L. David Brown, and Christine W. Letts. 2004. “Social Entrepreneurship and Societal Transformation.” The Journal of Applied Behavioural Sciences 40 (3): 260–282. doi: 10.1177/0021886304266847
   Google Scholar
• Armfield, Neil. 2015. Holding the Man. Sydney: Transmission Films.
   Google Scholar
• Bennett, Tony, and Elizabeth Silva. 2006. “Cultural Capital and Inequality: Policy Issues and Contexts.” Cultural Trends 15 (2–3): 87–106. doi: 10.1080/09548960600712777
   Google Scholar
• Bosio, Angélique. 2011. The Advocate for Fagdom. Paris: Le Chat Qui Fume.
   Google Scholar
• Caust, Jo. 2010. “Putting the Arts Back into Arts Policy: How Arts Policy Has Been ‘Captured’ by the Economists and the Marketers.” International Journal of Cultural Policy 9 (1): 51–63. doi: 10.1080/1028663032000089723
   Google Scholar
• Cheung, Ruby. 2009. “Corporatising a Film Festival: Hong Kong.” In Film Festival Yearbook: The Festival Circuit, edited by Raghan Rhyne and Dina Iordanova, 99–115. St. Andrews: College Gate Press.
   Google Scholar
• Cholodenko, Lisa. 2010. The Kids Are Alright. Universal City, CA: Focus Features.
   Google Scholar
• Chuter, Robert. 2014. The Dream Children. St. Kilda South, VIC: Fat Kid Films PTY LTD.
   Google Scholar
• City of Melbourne. 2011. “Council Renews Support for the Arts.” Press Release for the City of Melbourne. http://www.melbourne.vic.gov.au/AboutCouncil/MediaReleases/Pages/Councilrenewssupportforthearts.aspx.
   Google Scholar
• City of Melbourne. 2013. “2013 Award Winners.” City of Melbourne. https://www.melbourne.vic.gov.au/AboutMelbourne/MelbourneAwards/Pages/2013winners.aspx.
   Google Scholar
• City of Melbourne. 2015. “Triennial Arts Grant Program.” City of Melbourne. http://www.melbourne.vic.gov.au/arts-and-culture/strategies-support/funding/Pages/triennial-arts-grants-program.aspx.
   Google Scholar
• Cohendet, Patrick, David, Grandadam, and Simon, Laurent. 2010. “The Anatomy of the Creative City.” Industry & Innovation 17 (1): 91–111. doi: 10.1080/13662710903573869
   Google Scholar
• Crespi-Vallbona, Montserrat, and Greg Richards. 2007. “The Meaning of Cultural Festivals: Stakeholder Perspectives in Catalunya.” International Journal of Cultural Policy 13 (1): 103–122. doi: 10.1080/10286630701201830
   Google Scholar
• Cronenwett, Cary. 2009. Maggots and Men. Los Angeles, CA: The Film Collaborative.
   Google Scholar
• Dart, Raymond. 2004. “The Legitimacy of Social Enterprise.” Nonprofit Management and Leadership 14 (4): 411–424. doi: 10.1002/nml.43
   Google Scholar
• Department for Culture, Media and Sport. 2001. Creative Industries Mapping Document 2001. 2nd ed. London: Department of Culture, Media and Sport.
   Google Scholar
• De Valck, Marijke. 2014. “Supporting Art Cinema at a Time of Commercialization: Principles and Practices, the Case of the International Film Festival Rotterdam.” Poetics 42: 40–59. doi: 10.1016/j.poetic.2013.11.004
   Google Scholar
• Dunn, Kevin, Brownyn Hanna, and Susan Thompson. 2001. “The Local Politics of Difference: An Examination of Intercommunal Relations Policy in Australian Local Government.” Environment and Planning A 33 (9): 1577–1595. doi: 10.1068/a33168
   Google Scholar
• Fincher, Ruth, Kurt Ivesson, Helga Leitner, and Valerie Preston. 2014. “Planning in the Multicultural City: Celebrating Diversity or Reinforcing Difference?” Progress in Planning 92: 1–55. doi: 10.1016/j.progress.2013.04.001
   Google Scholar
• Fontaine, Dick. 1958. In the Days of Greek Gods. New York, NY: Zenith Pictures.
   Google Scholar
• Francis, Dean. 2015. Drown. Surrey Hills, NSW: JJ Splice Films.
   Google Scholar
• Galea, Lee. 2013. Monster Pies. Philadelphia, PA: TLA Releasing.
   Google Scholar
• Gamson, Joshua. 1996. “The Organizational Shaping of Collective Identity: The Case of Lesbian and Gay Film Festivals in New York.” Sociological Forum 11 (2): 231–261. doi: 10.1007/BF02408366
   Google Scholar
• Greyson, John. 2009. Fig Trees. Toronto: Greyzone Productions.
   Google Scholar
• Guiraudie, Alain. 2013. Stranger by the Lake. Richmond, VIC: Madmen Distribution.
   Google Scholar
• Haigh, Andrew. 2011. Weekend. New York, NY: Rialto Pictures.
   Google Scholar
• Haynes, Todd. 1991. Poison. New York, NY: Zeitgeist Films.
   Google Scholar
• Hutchinson, Penny. 2007. “Arts Victoria and the State Government's Relationship with Local Government.” Presented at Expanding cultures: arts and local government conferences, Prahran, Victoria, July 26–27.
   Google Scholar
• Hyde, Sophie. 2014. 52 Tuesdays. Auckland: Vendetta Films.
   Google Scholar
• Kechicke, Abdellatif. 2013. Blue Is the Warmest Colour. Berlin: Wild Bunch.
   Google Scholar
• Kennedy, Chris. 2014. “The Journey the point says Submerge director, not Gay Love.” Canberra Times, March 1. http://www.canberratimes.com.au/entertainment/the-journey-the-point-says-submerge-director-not-gay-love-20140228-33rah.html.
   Google Scholar
• Loist, Skadi. 2012. “A Complicated Queerness: LGBT Film Festivals and Queer Programming Strategies.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 157–172. St. Andrews: St Andrews Film Books.
   Google Scholar
• Magnussen, Michael. 2013. “Melbourne Award for MQFF.” MCV, November 21. Accessed February 6, 2015. http://gaynewsnetwork.com.au/news/victoria/melbourne-award-for-mqff-12424.html.
   Google Scholar
• Markowitz, Jonah. 2007. Shelter. Here! Films.
   Google Scholar
• Marshall, Tim. 2012. Gorilla. aSymmetry Films.
   Google Scholar
• McWilliam, Kelly. 2007. “We're Here All Week: Public Formation and the Brisbane Queer Film Festival.” Queensland Review 14 (2): 79–91.
   Google Scholar
• Melbourne Queer Film Festival. 2010. 2010 Annual Report. Melbourne: Melbourne Queer Film Festival.
   Google Scholar
• Mulligan, Martin, K. Humphery, and P. James. 2006. Creating Community: Celebrations, Arts and Wellbeing Within and Across Local Communities. Melbourne: Globalism Institute, RMIT University.
   Google Scholar
• O'Connor, Sophie. 2013. Submerge. No Distributor.
   Google Scholar
• Peranson, Mark. 2008. “First You Get the Power, Then You Get the Money: Two Models of Film Festivals.” In Dekalog 3: On Film Festivals, edited by Richard Porton, 37–43. London: Wallflower.
   Google Scholar
• Requa, John, and Glenn Ficarra. 2010. I Love You Phillip Morris. Los Angeles, CA: Roadside Attractions.
   Google Scholar
• Rhyne, Ragan. 2006. “The Global Economy of the Gay and Lesbian Film Festivals.” GLQ: A Journal of Lesbian and Gay Studies 12 (4): 617–619. doi: 10.1215/10642684-12-4-617
   Google Scholar
• Rhyne, Raghan. 2007. “Pink Dollars: Gay and Lesbian Film Festivals and the Economy of Visibility.” Dissertation, Department of Cinema Studies, New York University.
   Google Scholar
• Rhyne, Raghan. 2011. “Comrades and Citizens: Gay and Lesbian Film Festivals in China.” In The Film Festival Yearbook 3: Film Festivals and East Asia, edited by Dina Iordanova and Ruby Cheung, 110–124. St. Andrews: St Andrews Film Studies.
   Google Scholar
• Rich, B. Ruby. 1993. “Reflections on a Queer Screen.” GLQ: A Journal of Lesbian and Gay Studies 1 (1): 83–91.
   Google Scholar
• Rich, B. Ruby. 1999. “Collision Catastrophe Celebration: The Relationship Between Gay and Lesbian Film Festivals and Their Publics” [Queer Publicity: A Dossier on Lesbian and Gay Film Festivals]. GLQ: A Journal of Lesbian and Gay Studies 5 (1): 79–84.
   Google Scholar
• Scicluna, Grant. 2012. The Wilding. Melbourne, VIC: Happening Films.
   Google Scholar
• Sciculna, Grant. 2015. Downriver. New York, NY: Rialto Distribution.
   Google Scholar
• Searle, Samantha. 1997. Queer-ing the Screening: Sexuality and Australian Film and Television. St Kilda: Australian Teachers of Media in association with Australian Film Institute Research and Information Centre and Deakin University School of Visual, Performing and Media Arts.
   Google Scholar
• Siegal, Marc. 1997. “Spilling out onto Castro Street.” Jump Cut: A Review of Contemporary Media 41: 131–136.
   Google Scholar
• Stephens, Todd. 2006. Another Gay Movie. Philadelphia, PA: TLA Releasing.
   Google Scholar
• Stevenson, Deborah. 2007. “‘Civic Gold’ Rush: Cultural Planning and the Politics of the Third Way.” International Journal of Cultural Policy, Special Issue Urban Spaces and the Uses of Culture 10 (1): 119–131.
   Google Scholar
• Stryker, Susan. 1996. “San Francisco International Lesbian and Gay Film Festival.” In The Ultimate Guide to Lesbian and Gay Film and Video, edited by Jenni Olson, 364–370. San Francisco, CA: Serpent's Tail.
   Google Scholar
• Tang, Denise Tse Shang. 2009. “Demand for Cultural Representation: Emerging Independent Film and Video on Lesbian Desires.” In Future of Chinese Cinema: Technologies and Temporalities in Contemporary Chinese Screen Cultures, edited by Olivia Khoo and Sean Metzger, 169–190. Bristol: Intellect.
   Google Scholar
• Tang, Denise Tse Shang. 2011. Conditional Desires: Honk Kong Lesbian Desires and Everyday Life. Hong Kong: Hong Kong University Press.
   Google Scholar
• Vallée, Jean-Marc. 2013. Dallas Buyers Club. Universal City, CA: Focus Features.
   Google Scholar
• Wadley, Louise. 2015. All About E. Sydney, NSW: Girls’ Own Pictures.
   Google Scholar
• White, Patricia. 2008. “Lesbian Minor Cinema.” Screen 49 (4): 410–425. doi: 10.1093/screen/hjn057
   Google Scholar
• Whitelaw, Anna. 2015. “Financial Worries Cloud Future of Midsumma Carnival.” The Age, January 31. Accessed February 6, 2015. http://www.theage.com.au/victoria/financial-worries-cloud-future-of-midsumma-carnival-20150131-132sux.html.
   Google Scholar
• Yau, Ching. 2006. “Bridges and Battles.” GLQ: A Journal of Lesbian and Gay Studies 12 (4): 605–607. doi: 10.1215/10642684-12-4-605
   Google Scholar
• Yue, Audrey. 2006. “The Regional Culture of New Asia: Cultural Governance and Creative Industries in Singapore.” International Journal of Cultural Policy 12 (1): 17–33. doi: 10.1080/10286630600613176
   Google Scholar