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Studies in Documentary Film Volume 8, 2014 - Issue 3
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Articles

Automation within digital videography: from the Ken Burns Effect to ‘meaning-making’ engines

Craig HightScreen and Media Studies, School of Arts, University of Waikato, Hamilton, 3240, New ZealandCorrespondence[email protected]
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Pages 235-250 | Published online: 11 Nov 2014

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Read on this site (4)

Christian Widholm. (2022) Swedish Cold War history on YouTube – committed amateurs and heritagization from below. Critical Studies in Media Communication 39:5, pages 441-454.
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Anandana Kapur & Nagma Sahi Ansari. (2022) Coding reality: implications of AI for documentary media. Studies in Documentary Film 16:2, pages 174-185.
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Craig Hight. (2022) Deepfakes and documentary practice in an age of misinformation. Continuum 36:3, pages 393-410.
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Sarah Pink & Shanti Sumartojo. (2018) The lit world: living with everyday urban automation. Social & Cultural Geography 19:7, pages 833-852.
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Articles from other publishers (5)

Nikolaos Vryzas, Lazaros Vrysis & Charalampos Dimoulas. (2021) Audiovisual speaker indexing for Web-TV automations. Expert Systems with Applications 186, pages 115833.
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Franziska Weidle. 2020. Of Trees and Clouds. Of Trees and Clouds 177 208 .
Craig Hight. 2018. Critical Distance in Documentary Media. Critical Distance in Documentary Media 23 44 .
Sarah Pink & Vaike Fors. (2017) Self-tracking and mobile media: New digital materialities. Mobile Media & Communication 5:3, pages 219-238.
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Elaine Khoo, Craig Hight, Rob Torrens & Bronwen CowieElaine Khoo, Craig Hight, Rob Torrens & Bronwen Cowie. 2017. Software Literacy. Software Literacy 15 29 .

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