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Journal of Cultural Economy Volume 15, 2022 - Issue 3

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Negotiating platformisation: MusicTech, intellectual property rights and third wave platform reintermediation in the music industry

Allan Watsona Geography and Environment, School of Social Sciences and Humanities, Loughborough University, Loughborough, UKCorrespondence[email protected]

https://orcid.org/0000-0001-7120-7664 View further author information

Andrew Leyshonb School of Geography, University of Nottingham, Nottingham, UK

https://orcid.org/0000-0003-0822-1441 View further author information

Pages 326-343 | Received 09 Jun 2021, Accepted 21 Dec 2021, Published online: 18 Mar 2022

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https://doi.org/10.1080/17530350.2022.2028653
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Citations (4)

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Read on this site (3)

Allan Watson, Andrew Leyshon & George Windsor. (2023) Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry. Cultural Trends 0:0, pages 1-19.
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Riom Loïc. (2023) ‘A video or a flat fee?’ on the performances of concert fees. Journal of Cultural Economy 0:0, pages 1-19.
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Allan Watson. (2023) Supporting regional music production clusters in the post-pandemic era: placing business support at the heart of local cultural policy. International Journal of Cultural Policy 0:0, pages 1-15.
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Articles from other publishers (1)

Kai Marquardt & Christoph Mager. (2023) Standorte der deutschen Musikindustrie in globalen Netzwerken der Musikproduktion. Standort 47:2, pages 106-112.
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