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Transnational Cinemas Volume 7, 2016 - Issue 2: Postcolonial Cinemas in Europe. Migration, Identity and Spatiality in Film Genres. Guest editors: Sandra Ponzanesi and Verena Berger
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Articles

Introduction: genres and tropes in postcolonial cinema(s) in Europe

Sandra PonzanesiDepartment of Media and Culture Studies, Utrecht University, Utrecht, The NetherlandsCorrespondence[email protected]
&
Verena BergerDepartment of Periodism and Audiovisual Communication, University Carlos III Madrid (UC3M), Madrid, SpainCorrespondence[email protected]
[email protected]
Pages 111-117 | Published online: 30 Aug 2016

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Marianna Charitonidou. (2023) Italian Neorealist and New Migrant films as dispositifs of alterity: How borgatari and popolane challenge the stereotypes of nationhood and womanhood?. Studies in European Cinema 20:1, pages 58-81.
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Alex Hastie. (2021) (Un)Familiar Spaces: paris in Outside the Law (2010) and Free Men (2011). Transnational Screens 12:3, pages 233-248.
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Articles from other publishers (3)

Marianna Charitonidou. (2021) Gender and Migrant Roles in Italian Neorealist and New Migrant Films: Cinema as an Apparatus of Reconfiguration of National Identity and ‘Otherness’. Humanities 10:2, pages 71.
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Sibel Kaba & Deniz Özpalman. 2021. Transnational German Cinema. Transnational German Cinema 39 50 .
Sandra Ponzanesi. 2018. Border Lampedusa. Border Lampedusa 119 135 .

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