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Transnational Screens has emerged in response to a shift in global film, television and streaming and how we understand dynamic new industrial and textual practices. Transnational Screens aims to break down traditional geographical divisions and welcomes submissions on any aspect of transnational film, television, streaming culture, and screen media practices.

All articles in Transnational Screens have undergone a rigorous anonymized peer review, based on anonymized refereeing by Editors and reviewers.

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How film histories were made- materials, methods, discourses
Tim Lindemann
Book Review | Published online: 17 Jun 2024
Science fiction cinema in the twenty-first century: transnational futures, cosmopolitan concerns
Rebecca Janicker
Book Review | Published online: 12 Jun 2024
Sino-international film collaboration and co-production: policy and practice
Yanling Yang et al.
Article | Published online: 4 Jul 2024
Open Access
The role of Sino-Arab film collaboration on cultural diplomacy during the ‘Seventeen Years’
Ying Huang et al.
Article | Published online: 5 Jul 2024
Open Access
Jeffrey Lau’s journey to the mainland: strategic hybridization in Hong Kong-mainland film co-production
Hening Zhang
Article | Published online: 4 Jul 2024
Open Access
The recent Sino-Danish film co-productions: soft power and transnational talent development
Poppy Qian Zhai
Article | Published online: 5 Jul 2024
Open Access
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Current issue

Cover image for Transnational Cinemas, Volume 15, Issue 2
Volume 15, Issue 2, 2024

China's Global Cinematic Collaborations: Co-Productions and Partnerships, Guest Edited by Yanling Yang & William Higbee

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