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Original Articles

Form and Meaning in Music: Revisiting the Affective Character of the Major and Minor Modes

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Pages 229-247 | Received 28 Sep 2018, Accepted 04 Mar 2019, Published online: 16 Apr 2019

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Sarah C. Creel. (2023) The sound of timbre reigns: Auditory sequence discrimination in 3–5-year-old children. Auditory Perception & Cognition 6:3-4, pages 186-214.
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Articles from other publishers (5)

Chen-Gia Tsai, Yi-Fan Fu & Chia-Wei Li. (2023) Prediction errors arising from switches between major and minor modes in music: An fMRI study. Brain and Cognition 169, pages 105987.
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Geoffrey McDonald & Clemens Wöllner. (2023) The Contrast Principle, Typicality, and Cultural Longevity in 19th-Century Symphony Slow Movements: A Corpus Analysis. Music & Science 6.
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Neta B. Maimon, Dominique Lamy & Zohar Eitan. (2022) Do Picardy Thirds Smile? Tonal Hierarchy and Tonal Valence. Music Perception 39:5, pages 443-467.
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Bryan R. Burnham, Emma Long & Jake Zeide. (2020) Pitch direction on the perception of major and minor modes. Attention, Perception, & Psychophysics 83:1, pages 399-414.
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Timothy Justus. (2019) Toward a Naturalized Aesthetics of Film Music. Projections 13:3, pages 1-22.
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