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Christine Romano, Thomas Lam, G. Asher Newsome, Joshua A. Taillon, Nicole Little & Jia-sun Tsang. (2020) Characterization of Zinc Carboxylates in an Oil Paint Test Panel. Studies in Conservation 65:1, pages 14-27.
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Catherine Defeyt, Philippe Walter, Hélène Rousselière, Peter Vandenabeele, Bart Vekemans, Louise Samain & David Strivay. (2018) New Insights on Picasso’s Blue Period Painting La famille Soler. Studies in Conservation 63:1, pages 24-35.
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Clarimma Sessa, Reyes Jiménez de Garnica, Francesca Rosi, Raffaella Fontana & Jose Francisco Garcia. (2016) A Study of Picasso's Painting Materials and Techniques in Six of His Early Portraits. Journal of the American Institute for Conservation 55:4, pages 198-216.
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Letizia Monico, Annalisa Chieli, Steven De Meyer, Marine Cotte, Wout de Nolf, Gerald Falkenberg, Koen Janssens, Aldo Romani & Costanza Miliani. (2018)
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B. Brunetti, C. Miliani, F. Rosi, B. Doherty, L. Monico, A. Romani & A. Sgamellotti. (2016) Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience. Topics in Current Chemistry 374:1.
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Maria Kokkori, Marie-Odile Hubert, Nathalie Balcar, Gilles Barabant, Ken Sutherland & Francesca Casadio. (2015) Gloss paints in late paintings by Francis Picabia: a multi-analytical study. Applied Physics A 122:1.
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Maria Rosa López-Ramírez, Natalia Navas, Luis R. Rodríguez-Simón, Juan C. Otero & Eloisa Manzano. (2015) Study of modern artistic materials using combined spectroscopic and chromatographic techniques. Case study: painting with the signature “Picasso”. Analytical Methods 7:4, pages 1499-1508.
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Stijn Legrand, Frederik Vanmeert, Geert Van der Snickt, Matthias Alfeld, Wout De Nolf, Joris Dik & Koen Janssens. (2014) Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography. Heritage Science 2:1.
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