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Fashion Theory Volume 16, 2012 - Issue 4
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Original Articles

Social and Cultural Features of Fashion Design in Milan

Paolo Volonté Paolo Volonté, PhD in Philosophy (Freiburg i.Br.) and Sociology (Milan), is an associate professor of Cultural Studies at the Polytechnic University of Milan, Faculty of Design. He is also on the international advisory board of the “Centro per lo studio della moda e della produzione culturale” of the Catholic University of Milan.  http://paolovolonte.wordpress.com/. [email protected]
Pages 399-431 | Published online: 21 Apr 2015

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Natalia Särmäkari. (2023) Digital 3D Fashion Designers: Cases of Atacac and The Fabricant. Fashion Theory 27:1, pages 85-114.
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Patrizia Casadei & David Gilbert. (2022) Material and symbolic production of fashion in a global creative city. Industry’s perception of the 21st century London. Creative Industries Journal 0:0, pages 1-22.
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Olga Gurova & Daria Morozova. (2018) Creative precarity? Young fashion designers as entrepreneurs in Russia. Cultural Studies 32:5, pages 704-726.
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Ilaria Vanni. (2016) “Why Save the World When You can Design It?” Precarity and Fashion in Milan. Fashion Theory 20:4, pages 441-460.
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Yanqing Zhang & Oskar Juhlin. (2016) Fashion in Mobile Phone Design—The Emergence of Beautification, Desirability and Variation through Institutional Collaboration. Fashion Practice 8:1, pages 63-84.
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Articles from other publishers (3)

Martina Motta & Giovanni Maria Conti. 2023. Advances in Design, Music and Arts II. Advances in Design, Music and Arts II 370 380 .
Patrizia Casadei, David Gilbert & Luciana Lazzeretti. (2020) Urban Fashion Formations in the Twenty‐First Century: Weberian Ideal Types as a Heuristic Device to Unravel the Fashion City. International Journal of Urban and Regional Research 45:5, pages 879-896.
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Marco Pedroni & Paolo Volonté. (2014) Art seen from outside: Non-artistic legitimation within the field of fashion design. Poetics 43, pages 102-119.
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