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Performance Research
A Journal of the Performing Arts
Volume 26, 2021 - Issue 5: On Interruptions
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Research Article

First as Tragedy, Then as Farce

Andreas Homoki and Michael Levine’s production of Alban Berg’s ‘Wozzeck’, Zürich Opera, 2015

David Levin
Pages 58-64 | Published online: 03 May 2022
 
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Notes

1 For a comprehensive account of this history, see Stephen Decatur Smith’s brilliant essay ‘Even money decays’ (2014: 212–43).

2 For a more extended exploration of Adorno’s agonistic relationship to stage performance, see my essay ‘Adorno’s spectacles: Strawinsky und der Ort der Dialektik’ (Levin Citation2017: 275–92).

3 See also Hans-Thies Lehmann’s Tragedy and Dramatic Theatre (2016: 140–1).

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