Notes
1 ‘[A] museum that uses art and cultural practices to investigate conflict’ https:// bit.ly/3rYZtm6
3 Classicization in service of Indian cultural nationalism during the twentieth-century revivalist project disenfranchised highly skilled courtesan (tawaifs) performers, effaced Muslim influences and archived Hindu influences to construct Kathak as an Indian classical dance form. For a historiographical understanding of the politics of Indian cultural nationalism constructing Kathak’s classicism, see Margaret E. Walker’s India’s Kathak Dance in Historical Perspective (2014).
4 Considering other people as objects and subjecting them to a controlling gaze. For more, see Mulvey (1975).